Hooked On A Feeling Sheet Music Preview

Hooked On A Feeling: TTBB Choral Octavo

As performed by Mark James / As performed by Anne Raugh / Arranged by Deke Sharon

Item: 35-DS00299521

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00299521

More about this title

About the Artist: Mark James

Mark James wrote 'Hooked On A Feeling' in 1974, crafting what became one of the most recognizable pop hooks of the decade. His gift for melody and infectious simplicity made the song an immediate hit, and it has remained a fixture in popular culture ever since. For music educators, James's work demonstrates how straightforward songwriting and a memorable vocal line can achieve lasting resonance across generations.

Why we love this

Deke Sharon's arrangement transforms this pop staple into a vehicle for genuine vocal musicianship without losing the song's irresistible charm. The flexible voicing options (TB/TTB/TBB/TTBB) mean you can program this with nearly any men's or mixed ensemble configuration, and the a cappella setting forces singers to own every note of the harmony and rhythm.

What to expect

Bouncy and propulsive, with the kind of optimistic energy that a cappella groups are built for. The arrangement captures the song's signature buoyancy while giving singers real harmonic and rhythmic challenges to solve together.

Who it's for

Men's or mixed choral ensembles seeking contemporary a cappella material that audiences recognize and singers enjoy performing. Groups looking to program something lighter without sacrificing arranging craft will find this arrangement rewarding.

How to get the most out of it

  • Lock the rhythm section (bass and percussion layer) into a tight pocket before layering upper voices; the groove is everything in this arrangement.
  • Treat the melodic moments with conversational ease rather than operatic phrasing. This song thrives on directness and pop sensibility.
  • Balance the syllabic passages so that the text sits naturally without over-articulation. Let the vowel spaces breathe.
  • Experiment with dynamic contrast between the verse and hook sections to keep the ten pages from feeling static.

How to use it

Slot this into a spring or fall concert to provide a stylistic contrast with classical repertoire, or feature it as part of a contemporary set that showcases your ensemble's pop and rock versatility. The ten-page length makes it substantial enough to anchor a section without overwhelming your rehearsal schedule.

Skills your students will build

  • Singing in mixed or men's voicings with independent harmonic lines
  • Maintaining rhythmic precision in a cappella settings without instrumental support
  • Balancing pop vocal style with choral blend and ensemble technique
  • Reading and executing flexible voicing options from a single score

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