Homeward Bound Cover Image

Homeward Bound: Concert Band Conductor Score

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Homeward Bound Cover Image

Homeward Bound: Concert Band Conductor Score

Words and music by Marta Keen / vocal arrangement by Jay Althouse, instrumental arrangement by Brant Karrick

Grade: 2 (Medium Easy)

Item: 00-31719S

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Description
"Homeward Bound" is one of the most popular and widely-performed contemporary choral pieces. This heartfelt piece is elegant in its simplicity and has touched thousands of musicians and their audiences with its warmth and sincerity. Additionally, it has become the anthem for many soldiers returning home. Create a stirring moment for combined band and choir using this exquisite new setting for concert band. Choral arrangements available for SATB (00-7845), SAB (00-16209), SSA (00-7846), 2-Part (00-35647), and TBB (00-20098). (3:40) This title available in MakeMusic Cloud.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 16
ISBN10: 1-4706-5437-7
ISBN13: 978-1-4706-5437-5
UPC: 038081344058
SKU: 00-31719S

More about this title

Why we love this

This arrangement captures the emotional core of a beloved contemporary piece while making it genuinely accessible for Grade 2 bands. The orchestration respects the original's warmth without requiring advanced technical facility, giving younger ensembles room to focus on musical expression rather than technical survival.

What to expect

Warm and unhurried, with the clarity of a well-lit room. The piece invites genuine connection rather than technical display, letting each musician feel the weight of sincerity in every phrase.

Who it's for

Concert band directors looking to program a meaningful combined ensemble piece without requiring orchestral instrumentation. This works equally well for Grade 2 bands seeking emotionally mature repertoire or for mixed ensembles wanting to feature both choral and instrumental voices on the same program.

How to get the most out of it

  • Balance the band sonority to support the choir entrance; the accompaniment should frame rather than overpower the voices.
  • Shape the opening phrases with attention to long-line phrasing even at a relaxed tempo; avoid sounding static despite the gentle pace.
  • Let the woodwind writing breathe naturally; this scoring values clarity of line over blended mass sound.
  • Rehearse band and choir sections separately first to establish solid fundamentals, then combine to refine blend and balance.

How to use it

Consider this for a concert finale or a poignant program moment, particularly if you're pairing it with one of the available choral arrangements (SATB, SAB, SSA, 2-Part, or TBB). The three-minute-forty-second duration fits naturally into concerts featuring both instrumental and vocal ensembles without dominating the program.

Skills your students will build

  • Balancing ensemble textures between instruments and voices
  • Sustaining warm, lyrical tone across extended phrases
  • Following a conductor's expressive shaping at moderate tempos
  • Supporting vocal melody without doubling or obscuring it

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