Home On Christmas Day Sheet Music Preview

Home On Christmas Day: SSA Choral Octavo

By Walter Afanasieff / By Jay Landers / As performed by Kristin Chenoweth / Arranged by Mac Huff

Item: 35-DS00150444

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00150444

More about this title

About the Composer: Walter Afanasieff

Walter Afanasieff is a songwriter and producer whose work spans pop, R&B, and holiday music. He has crafted songs for major recording artists and built a career around creating emotionally resonant material that connects with broad audiences. His songwriting emphasizes melodic accessibility and genuine emotional content, qualities that translate effectively to choral arrangements.

Why we love this

Mac Huff's arrangement captures the intimate warmth of the original while giving SSA singers a lyrical, singable line that sits beautifully in their range. The piece balances harmonic depth with straightforward part-writing, so your singers stay engaged without getting tangled in technical difficulty. It's the kind of seasonal selection that makes rehearsals feel purposeful rather than obligatory.

What to expect

The music radiates quiet joy and the comfort of belonging. Rather than bustling energy, it settles into a reflective, warm space where the text about home and togetherness becomes the focal point. There's an inviting quality that draws listeners in.

Who it's for

Holiday concerts need repertoire that connects emotionally with audiences, and this piece delivers that sincerity. It works for choirs ranging from high school level up, and it's particularly effective for groups looking for a contemporary seasonal choice that feels less traditional than standard carols.

How to get the most out of it

  • Lean into the lyrical quality of the melody; this song asks for genuine emotional delivery rather than flashy technique. Encourage singers to shape phrases around the text and let the sentiment drive phrasing choices.
  • Balance the upper voices carefully in the SSA voicing so no single part dominates the texture. The harmonic color depends on all three lines working in proportion.
  • If your arrangement includes accompaniment, use it during early rehearsals to establish harmonic security, but practice unplugged periodically so the singers develop independence and confidence in their part relationships.

How to use it

Slot this as the emotional centerpiece of a winter concert, perhaps following more upbeat carols to create programming contrast. It also works beautifully as a closing piece when you want to send the audience home in a thoughtful mood rather than a celebratory one.

Skills your students will build

  • Singing with textual clarity and emotional intent
  • Balancing three-part harmony in close voice leading
  • Phrasing lyrical melodies with natural breath placement
  • Listening across parts to maintain blend and proportion

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