Home in That Rock: 2nd Trombone Sheet Music Preview

Home in That Rock: 2nd Trombone: Choral SoundPax

Music by Greg Gilpin

Item: 00-PC-0000612_TN2

Digital Download
$3.00
Description
Includes parts for alto sax., tenor sax, 2 trumpet, 2 trombone, rhythm, and percussion.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Home in That Rock: 2nd Trombone: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
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Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-PC-0000612_TN2
Instrumentation: SoundPax

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin stands at the intersection of choral excellence and innovative music education. An ASCAP award-winning composer and arranger, he has conducted performances at Carnegie Hall, Lincoln Center, and Sydney Opera House, while serving as Director of Educational Choral Publications for Shawnee Press. His arrangements and original compositions have become staples in choirs across North America and beyond.

Beyond the concert hall, Gilpin has expanded his creative reach into film scoring and television, winning Best Score for the short film "Rosie's Rescue" and appearing on major network programs. A committed educator and active member of ACDA and NAfME, he continues to compose and conduct while engaging with the broader music education community.

Why we love this

Gilpin's arrangement brings the spiritual authenticity and harmonic sophistication he's known for into a SoundPax format that works beautifully in educational and performing choirs alike. The instrumental writing is idiomatic and energizing without overwhelming the vocal line, making this accessible for singers while giving your ensemble musicians meaningful parts to play. Programming a Gilpin spiritual anchors any concert with genuine emotional depth and musicianship.

What to expect

Rooted and reverent, with an undercurrent of resilience and hope. The spiritual carries the weight of its tradition while the SoundPax instrumentation adds contemporary energy and warmth, creating a sound that feels both timeless and alive in the room.

Who it's for

Directors seeking a spiritually grounded choral piece that doubles as a full ensemble vehicle for bands and choirs sharing rehearsal space. This works equally well for concert choirs and more contemporary worship or performance settings where integrated instrumental support enhances the arrangement. Singers benefit from the rhythmic vitality and harmonic richness Gilpin brings to the spiritual tradition.

How to get the most out of it

  • Balance the alto sax line carefully in the accompaniment so the choir's melody remains centered; these instruments can easily overshadow the singers if not managed dynamically.
  • Let the rhythm section anchor the groove without rushing; the spiritual's character depends on a relaxed, confident rhythmic foundation from drums and bass.
  • Shape the choral phrases with the same flexibility you would in an unaccompanied spiritual, even with full instrumentation supporting you; avoid letting the accompaniment dictate rigid phrasing.
  • Rehearse the brass entrances separately with the choir to ensure they lock into the vocal attacks and don't anticipate or lag behind the singers' natural pulse.

How to use it

Position this as a centerpiece on a concert that mixes styles or settings. It pairs naturally with other spirituals or sacred choral works and can serve as a bridge between traditional hymn-based programming and more contemporary approaches. Consider programming it where you need a moment of genuine emotional connection without sacrificing musical sophistication.

Skills your students will build

  • Blending choral sound with instrumental accompaniment
  • Rhythmic independence within a groove-based texture
  • Interpretation of spiritual style and cultural sensitivity
  • Responding to instrumental cues and ensemble coordination across voices and instruments

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