Holy Spirit, Living Breath Of God: SATB Choral Octavo
As performed by Keith Getty / As performed by Stewart Harris / As performed by Stuart Townend / As performed by Keith & Kristyn Getty / Arranged by David Angerman
Item: 35-DS00316571
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Description
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Keith Getty is a Northern Irish Christian music artist and songwriter whose compositions have become staples in contemporary worship settings worldwide. Alongside his wife Kristyn, he has written numerous modern hymns that blend traditional hymnody with accessible melodies, earning recognition for expanding the repertoire of singable, theologically grounded sacred music.
Why we love this
David Angerman's arrangement respects the melodic strength of Getty's composition while giving each voice part genuine musicality. The seven-page format keeps this modern hymn accessible for volunteer and developing choirs without sacrificing the spiritual weight of the text.
What to expect
The piece radiates warmth and conviction, with a melody that feels both contemporary and timeless. There's an openness to the harmonic language that invites participation while maintaining enough musical substance to engage serious singers.
Who it's for
This works for church choirs of any size and skill level, as well as school choirs looking to expand their sacred repertoire beyond standard hymn arrangements. It suits both concert performances and congregational singing contexts.
How to get the most out of it
Balance the soprano line prominently in the opening sections, where it carries the primary melody, but allow the inner voices to bloom once all four parts enter.
Shape phrases with gentle dynamic contours rather than holding uniform volume throughout; this kind of breathing creates natural pacing for congregational participation if that's your goal.
Pay attention to text underlay in the arrangement and honor the punctuation of the poetry; this grounds the performance in the meaning rather than just the notes.
How to use it
Consider pairing this with other modern hymns for an entire worship concert, or use it as a bridge piece between traditional and contemporary repertoire on a mixed program. Its accessibility makes it ideal for spring or holiday services where you want immediate congregational connection.
Skills your students will build
Singing contemporary hymnody with proper text inflection
Balancing melodic prominence across four voice parts
Sustaining legit vocal tone over longer phrases
Interpreting harmonic movement in modern tonal music
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