Holiday on the Housetop: Score Sheet Music Preview

Holiday on the Housetop: Score

By Benjamin R. Hanby / arr. William Owens

Grade: 1.5

Item: 98-DST6188S

Digital Download
$5.00
Description
This lighthearted arrangement includes some optional percussion to really bring in the holiday season. The melody passes between upper and lower strings in humorous fashion, and the audience will even hear Santa's jolly voice from the rooftop. A lot of fun!

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
SKU: 98-DST6188S

More about this title

About the Composer: Benjamin R. Hanby

Benjamin R. Hanby (1833-1867) composed one of America's most enduring holiday songs, "Darling, I Am Growing Old," which became widely known as "Up on the Housetop." Working in the 19th century, Hanby created music that bridged popular culture and domestic music-making, capturing melodies that stayed in the public ear for generations.

As a composer active during the Civil War era, Hanby wrote songs meant for families and communities to perform together. His gift for memorable, singable melodies made his work accessible to amateur musicians and professional performers alike, a quality that continues to serve music educators today.

Why we love this

This arrangement transforms a beloved holiday standard into a playful orchestral showcase that keeps young string players engaged without overwhelming them. The interplay between upper and lower strings, paired with optional percussion and the novelty of Santa's voice, gives every section their moment while maintaining the cheerful simplicity that makes Grade 1.5 repertoire so rewarding to teach.

What to expect

Cheerful and whimsical, this arrangement captures the playfulness of the original tune with orchestral sparkle. The back-and-forth melodic exchanges between strings create a conversational energy, and the inclusion of Santa's voice adds novelty and humor that audiences genuinely enjoy.

Who it's for

Beginning string orchestras at the Grade 1.5 level will find this arrangement accessible and fun to perform. It works well for ensembles building confidence with basic ensemble balance and articulation while still delivering a polished holiday concert piece.

How to get the most out of it

  • Balance the melody as it moves between violins and lower strings so each voice feels heard; lower strings often need encouragement to play out during their phrases without overshadowing the accompaniment
  • If using the optional percussion parts, bring them in during rehearsals once the strings are secure so they enhance rather than distract from the string writing
  • Keep articulation light and bouncy to match the humorous character, especially where the melody passes back and forth between sections

How to use it

Include this as a crowd-pleasing opener or closer on a holiday concert where you want to set a lighthearted tone before or after more serious repertoire. Its straightforward technical demands and instant recognition make it ideal for mid-season programming when students are solidifying their ensemble skills.

Skills your students will build

  • Playing sustained accompaniment figures while tracking an independent melody line
  • Transferring melody smoothly between sections while maintaining dynamic shape
  • Balancing ensemble voicing in a homophonic texture
  • Executing light, playful articulation appropriate to the style

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