Holiday Jazz! Cover Image

Holiday Jazz!: 2-Part Choral Octavo

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Holiday Jazz! Cover Image

Holiday Jazz!: 2-Part Choral Octavo

Words by John Jacobson, music by Kirby Shaw

Item: 00-49772

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Description
One part Jacobson creativity, and one part Kirby jazz. Kids will adore this chart that's not only a fresh holiday feature, but also a solid introduction to beginning scat singing. Designed with developing groups in mind, but enjoyable for any one. Perform with the swingin' SoundTrax or a live rhythm section (guitar, bass, and drumset SoundPax). As a special bonus, John's choreography is printed in the music.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Holiday Jazz!: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081568591
SKU: 00-49772

More about this title

About the Composer: Kirby Shaw

Kirby Shaw

Kirby Shaw has shaped choral music education across six continents, bringing his distinctive voice to 45 states and numerous countries including Canada, Australia, Sweden, Germany, and Italy. He holds degrees in Music Education and Choral Composition from San Jose State University and earned his DMA in Choral Conducting from the University of Washington. His teaching style blends rigorous musicianship with infectious humor and accessible energy that resonates with students and colleagues alike.

Shaw's career spans decades of vocal jazz leadership, beginning with his founding of the acclaimed COS Vocal Jazz Ensemble at College of the Siskiyous in California and continuing through his direction of similar ensembles at Colorado State University, the University of Missouri at Kansas City, and now Southern Oregon University's Jefferson State Choral Coalition. As a scat singer, he has worked one-on-one with legendary vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks, who praised his technical mastery. With over 2500 choral arrangements and compositions in print, Shaw's music is performed globally and has sold nearly 20 million copies, earning him multiple ASCAP awards. He is also a member of Just 4 Kicks, a four-man jazz a cappella group, and co-wrote the musical Scroogical with his wife, Markita.

Why we love this

Kirby Shaw brings decades of vocal jazz experience directly into this arrangement, creating an introduction to scat singing that feels authentic rather than gimmicky. The chart balances accessibility for developing choirs with genuine musicality, so your singers engage real jazz vocabulary and phrasing from their first rehearsal. The included choreography transforms what could be a simple holiday feature into a complete performance package that connects movement and music seamlessly.

What to expect

The energy is upbeat and playful, with Shaw's signature blend of holiday warmth and genuine jazz swing. Scat passages feel approachable rather than intimidating, inviting singers to loosen up and discover their jazz voice while the underlying harmonic framework keeps everything grounded and musical.

Who it's for

This chart is built for middle school and early high school choirs discovering jazz vocabulary, but the fresh holiday angle and Kirby Shaw's polished writing appeal equally to experienced ensembles looking for a spirited concert feature. Any 2-part choir seeking an accessible entry into scat singing will find both musicality and fun here.

How to get the most out of it

  • Establish the swing feel early in rehearsals by isolating the rhythm section groove; if using the recorded accompaniment, have your singers listen to the backbeat before singing any melody.
  • Break the scat singing into short, singable phrases rather than tackling whole sections at once. Let singers hear and repeat each pattern multiple times, then string them together incrementally.
  • Integrate the printed choreography gradually into rehearsal once your singers own the music; movement should feel natural, not tacked on.
  • If performing with a live rhythm section, schedule a dedicated rehearsal with guitar, bass, and drums to lock the ensemble interpretation and ensure the singers feel secure over the live accompaniment.

How to use it

Program this as a closing concert feature or winter assembly highlight where its infectious energy and audience appeal shine brightest. It works equally well as a sectional warm-up piece during the holiday season, teaching jazz fundamentals while keeping rehearsals energized.

Skills your students will build

  • Scat singing basics and jazz articulation
  • Understanding and executing swing rhythm
  • Improvisation within a structured framework
  • Coordination of singing with choreographed movement
  • Listening to and locking with rhythm section accompaniment

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