Hold On (arr. Kirby Shaw) Sheet Music Preview

Hold On (arr. Kirby Shaw): SSA Choral Octavo

As performed by Wilson Phillips / Arranged by Kirby Shaw

Item: 35-DS00259976

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00259976

More about this title

About the Artist: Wilson Phillips

Wilson Phillips formed in 1989 as a supergroup featuring Carnie Wilson, Wendy Wilson, and Chynna Phillips. The trio brought together family connections (Carnie and Wendy are sisters, daughters of The Beach Boys' Brian Wilson; Chynna is the daughter of The Mamas and the Papas' John Phillips and Michelle Phillips) with polished pop sensibilities. Their debut album spawned multiple platinum hits and established them as architects of early 1990s pop harmony.

The group's signature sound balanced layered vocal arrangements with accessible melodies, creating songs designed for both radio airplay and genuine musical engagement. This approach translates naturally to choral settings, where their compositions reward attention to blend, balance, and the joy of multi-part singing.

Why we love this

Kirby Shaw's SSA arrangement captures the infectious optimism of this '90s anthem while respecting the original's vocal sophistication. Directors choose this because it delivers immediate audience recognition without sacrificing choral musicianship; singers get to perform a song they or their audiences genuinely know, which breeds confidence and enthusiasm.

What to expect

Sunlit and urgent at once. The arrangement pulses with forward momentum while the harmony creates warm, enveloping textures beneath the melodic line. Singing this generates the particular satisfaction of executing tight pop writing: precision yields accessibility, and accessibility yields joy.

Who it's for

Concert choirs seeking contemporary material with real musical substance; groups looking to bridge the gap between pop repertoire and serious choral writing; any ensemble wanting a piece that energizes both singers and audiences without compromising artistic integrity.

How to get the most out of it

  • Nail the rhythmic precision in the refrain sections. The hook's impact depends entirely on locked unison and rhythmic clarity across all three parts.
  • Balance the harmonic layers carefully during the verse. Shaw's voicings create seamless movement between parts, but only if sopranos don't overshadow the inner voices.
  • Commit fully to the emotional arc. This piece works when singers embrace the motivational thrust of the text, not when they treat it as a novelty pop arrangement.
  • Record a rough run-through early in rehearsal to hear how the parts sit together. Identifying blend issues before they become habitual saves weeks of refinement.

How to use it

Pair this with other contemporary SSA material to build a set that showcases modern choral writing, or program it on a pop or show choir concert where it anchors the second half with a bit of nostalgia and genuine musical craft. Its 10-page length fits neatly into a concert without dominating the evening.

Skills your students will build

  • Rhythmic precision in pop idioms
  • Balancing three-part harmony while maintaining independence of line
  • Interpretation of pop vocal phrasing in a choral context
  • Blend and balance within SSA voicings

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