Hold On Sheet Music Preview

Hold On: E-Z Play Today

As performed by Michael Bublé

Item: 35-DS00978802

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00978802

More about this title

About the Artist: Michael Bublé

Michael Bublé is a Canadian jazz and pop vocalist whose smooth baritone and charismatic stage presence have made him one of the best-selling music artists of the 21st century. His interpretations of jazz standards alongside contemporary pop songs have introduced millions of listeners to the elegance and sophistication of the jazz idiom, making him a significant figure in the mainstream revival of vocal jazz.

Bublé's approach to phrasing and his command of swing rhythms offer valuable lessons for students studying vocal jazz interpretation and popular music arrangement. His recordings provide accessible entry points into jazz aesthetics while maintaining the technical demands that keep advancing musicians engaged.

Why we love this

This E-Z Play arrangement strips away complexity without sacrificing the sophisticated feel of Bublé's recording. Students can focus on understanding the song's harmonic movement and swing sensibility rather than wrestling with dense voicings, making it an ideal vehicle for building confidence with jazz-inflected pop repertoire.

What to expect

Warm and inviting. The piece carries an intimate quality even with its four-page length, unfolding like a conversation between friend and listener. There's an inherent sophistication in the harmonic language that feels both accessible and genuinely musical.

Who it's for

This arrangement serves students who want to play sophisticated jazz-pop material without advanced jazz harmony skills. It works equally well for piano students seeking attractive contemporary repertoire and for pianists accompanying singers in jazz or pop contexts.

How to get the most out of it

  • Shape the phrases with rubato rather than strict metronomic time; Bublé's interpretation hinges on conversational phrasing that breathes with the melody
  • Pay attention to chord quality changes and let them inform your dynamic choices; moving from major to minor or adding extensions should feel intentional, not accidental
  • Keep the left hand accompaniment understated and swinging rather than heavy; think of supporting the vocal line rather than driving it

How to use it

Include this in a jazz appreciation or contemporary jazz elective where students encounter vocalist-friendly material. It also fits well in a recital or concert focusing on 21st-century interpretations of jazz sensibilities, or as a bridge piece helping students transition from classical or contemporary pop into jazz-influenced repertoire.

Skills your students will build

  • Understanding swing rhythms and jazz phrasing in a pop context
  • Recognizing and voicing jazz chord extensions in simplified arrangements
  • Reading and interpreting rubato notation
  • Accompanying a vocalist with rhythmic sensitivity rather than strict subdivision

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