Hola, Lola! Sheet Music Preview

Hola, Lola!: SATB Choral Octavo

As performed by Marcy Heisler / As performed by Zina Goldrich / Arranged by Cristi Cary Miller

Item: 35-DS00319149

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00319149

More about this title

About the Artist: Marcy Heisler

Marcy Heisler is a lyricist and composer whose work spans musical theater, concert music, and educational repertoire. Collaborating frequently with composer Zina Goldrich, Heisler has developed a distinctive voice in contemporary musical theater that balances wit, heart, and accessibility. Her writing for choirs reflects deep understanding of vocal ranges and the joy of ensemble singing.

Heisler's approach to text setting prioritizes clarity and emotional directness, making her work particularly effective in educational and community choral settings. Her collaborations with Goldrich have produced numerous pieces performed by school and professional choirs across the country.

Why we love this

This arrangement captures the humor and energy of Broadway storytelling while remaining genuinely singable by high school and adult choirs. Cristi Cary Miller's SATB setting respects the character of the original while giving each voice part meaningful material. The piece brings theatrical personality to your concert without demanding a full production.

What to expect

Spirited and theatrical, with the conversational charm of a well-crafted musical theater number. The piece invites singers to embrace personality and playfulness while maintaining vocal control and blend.

Who it's for

High school and adult community choirs seeking repertoire that entertains without sacrificing musicality. Programs looking for contemporary Broadway arrangements that feature ensemble work and character storytelling.

How to get the most out of it

  • Treat the text with comedic timing. This piece lives in the space between the notes, so clarity of diction and rhythmic precision unlock its personality.
  • Balance the SATB lines so no single voice overwhelms the lyrical intent. The arrangement distributes interest across all four parts.
  • Record the piece in sections and listen back to how your blend sits. The wit depends on hearing every syllable clearly.

How to use it

This works beautifully in a pops or Broadway-themed concert, or as an audience-friendly contrast in a mixed repertoire program. Consider pairing it with other contemporary vocal arrangements to highlight your ensemble's range and versatility.

Skills your students will build

  • Character-driven phrasing in SATB voicing
  • Diction clarity and comedic timing
  • Ensemble balance across four independent voice parts
  • Text interpretation informed by musical theater style

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