Hodie: A Christmas Fanfare Cover Image

Hodie: A Christmas Fanfare: Choral Octavo SoundTrax CD

$19.95 USD
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Hodie: A Christmas Fanfare Cover Image

Hodie: A Christmas Fanfare: Choral Octavo SoundTrax CD

Arr. Jay Althouse

Item: 00-21096

$19.95
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Description
Strong block chords open this arrangement of the 14th Century German melody, Personent Hodie. Full choral writing, both in unison and parts, a new English/Latin text, and several rising modulations make a powerful statement. It's a fresh new setting of an ancient melody, sure to add depth to your December concerts. The brass SoundPax parts are easily added for even more energy, or use the SoundTrax.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081200170
SKU: 00-21096

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later recognized as a Distinguished Alumni. His career spans both publishing administration (eight years as a rights and licenses director for a major educational music publisher) and active composition, resulting in more than 800 choral works performed worldwide. He served on the Executive Board of the Music Publishers Association of America and maintains membership in ASCAP, where he is a regular recipient of the Special Award for his compositions.

Beyond choral writing, Althouse has co-created children's musicals with his wife Sally K. Albrecht, edited acclaimed vocal solo collections, and authored multiple music education resources including The Complete Choral Warm-up Book and Accent on Composers. He co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Based in North Carolina, he has served on the board of the North Carolina Master Chorale and currently advises the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse's setting transforms a medieval melody into something immediately engaging without sacrificing its liturgical authority. The combination of unison passages and full four-part writing gives you natural points of rest and energy, while the rising modulations provide genuine dramatic lift that feels earned rather than forced. With optional brass parts and the included SoundTrax accompaniment, you have real flexibility in how much instrumental color to add.

What to expect

Strong, grounded, and luminous. The medieval melody anchors the piece while the harmonies and modulations push it forward with purpose. There's a sense of both reverence and celebration, as if ancient and contemporary voices are singing together.

Who it's for

This works beautifully for mixed choirs of intermediate ability and above who want substantive Christmas repertoire beyond the familiar. It serves directors looking for a piece that honors tradition while offering modern choral writing and programming flexibility.

How to get the most out of it

  • Shape the opening block chords with careful dynamic control; they should feel majestic, not stiff. This sets the tone for the entire piece.
  • Balance the English and Latin text sections clearly so both languages land with equal weight and clarity for your audience.
  • Prepare each modulation by lifting slightly into the new key rather than treating it as a sudden shift. This keeps the architecture of the piece visible.
  • If adding brass parts, introduce them gradually through the arrangement rather than all at once; let instrumental color build alongside the choral writing.

How to use it

Pair this with other sacred or seasonal works to create a substantial first half for a December concert, or use it as a centerpiece that frames lighter or more secular pieces around it. The balance of unison and full writing makes it an excellent opener that establishes both the choir's foundation and its range.

Skills your students will build

  • Singing English and Latin text with clarity and proper pronunciation
  • Navigating rising modulations and maintaining pitch stability across key changes
  • Blending block chord writing with clear individual voice independence
  • Responding to recorded accompaniment while maintaining ensemble cohesion

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