Ho Hey (arr. Mark Brymer): 2-Part Choral Octavo

Mark Brymer's arrangement captures the song's core charm while respecting the vocal range realities of a 2-part ensemble. The writing lets melodic simplicity do the heavy lifting, meaning your singers can focus on expression and blend without wrestling with technical complexity. This is the kind of contemporary arrangement that makes students actually want to sing what you're teaching.

Warm and affirming, with the gentle confidence of someone confessing something simple but profound. The arrangement preserves the original's intimate quality even as it expands the texture to accommodate two independent parts.

Any choir building a contemporary repertoire list will find this arrangement accessible for developing singers while remaining musically genuine. It works equally well for middle school, high school, or community ensembles seeking material that bridges folk sensibility with pop familiarity.

• Treat the syllabic text setting as an asset rather than a limitation; clear diction here becomes your primary expressive tool.
• Balance the two parts carefully in rehearsal so neither voice overwhelms the other, especially during unison moments.
• Let the natural rhythmic flow emerge organically rather than forcing rigidity into the pulse; this song thrives on a conversational quality.

Position this in a pop or contemporary medley to provide textural variety, or anchor a spring concert with repertoire that showcases your singers' ability to handle modern songwriting with musicality. Its moderate difficulty and audience recognition make it ideal for concerts aimed at families and community members new to choral music.

• Balancing two independent melodic lines with equal presence
• Sustaining lyrical expression in syllabic, text-driven settings
• Blending into unison sections from part writing
• Interpreting contemporary harmonic language in an acoustic context