Hitrag'ut (Tranquility) (arr. Paul Ben-Haim) Sheet Music Preview

Hitrag'ut (Tranquility) (arr. Paul Ben-Haim): SATB Choral Octavo

Arranged by Paul Ben-Haim / Edited by Matthew Lazar

Item: 35-DS00448131

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00448131

More about this title

About the Arranger: Paul Ben-Haim

Paul Ben-Haim (1897-1984) was an Israeli composer and conductor who became a central figure in establishing a musical identity for the newly formed State of Israel. Born in Munich as Paul Frankenburger, he immigrated to Palestine in 1933 and anglicized his name, composing works that drew on Jewish musical traditions while maintaining a modernist sensibility. His arrangements of traditional and folk material helped preserve Jewish musical heritage while making it accessible to choirs and ensembles of varying skill levels.

Ben-Haim's choral work reflects his deep commitment to music as a tool for cultural expression and community building. His arrangements balance authenticity with singability, respecting the integrity of source material while creating parts that challenge and engage singers. For music educators, his choral catalog offers a bridge between folk tradition and concert performance, demonstrating how arranging can honor source material while expanding its reach.

Why we love this

This arrangement captures the serene essence of its title while offering your choir a chance to explore Jewish musical expression without requiring specialized knowledge or extensive technical demands. Ben-Haim's setting sits comfortably in the middle of the difficulty spectrum, making it an ideal choice for singers building confidence in SATB repertoire while still delivering genuine artistic depth.

What to expect

Hitrag'ut unfolds like a moment of quiet contemplation, with harmonies that feel both grounded and gently floating. The piece invites singers to inhabit a space of calm clarity, where every voice contributes to a unified sense of peace without sacrificing individual line quality.

Who it's for

SATB choirs at the secondary through early collegiate level who want to incorporate Jewish repertoire into their programming. This works equally well for concert choirs, community ensembles, and specialized Jewish music groups seeking accessible yet musically substantive material.

How to get the most out of it

  • Shape the phrasing around the text underlay rather than fighting against it; Ben-Haim's word stress often guides the natural rise and fall of each phrase.
  • Encourage breath points that align with the arrangement's architecture rather than always waiting for convenient rests. This keeps the line alive while preventing the piece from fragmenting.
  • Let the harmonic palette breathe. The tranquility of the piece depends on clean, sustained voicing, so address intonation challenges in rehearsal before attempting tempo.
  • Consider the piece's narrative arc as one sustained moment of reflection rather than treating each section as a separate idea.

How to use it

Position this as a centered moment in a concert program to create contrast with more energetic works, or pair it with other Ben-Haim arrangements for a thematic set exploring Israeli musical traditions. Its reflective character also makes it valuable for interfaith events or programs exploring spirituality through music.

Skills your students will build

  • Independent part singing within a SATB texture
  • Sustaining tone quality across longer phrases
  • Balancing harmonic color with clear text projection
  • Reading and interpreting unfamiliar melodic contours from Jewish musical traditions

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