His Spirit of Freedom (Favorite Hymns and Spirituals of Dr. Martin Luther King, Jr.): String Orchestra Conductor Score & Parts
Traditional / arr. Bud Caputo
Grade: 2.5
Item: 00-PK-0001598
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About the Arranger: Bud Caputo

Bud Caputo has shaped music education across the country through decades of classroom teaching, ensemble direction, and publication work. He served as Coordinator for Instrumental Music in Montgomery County Public Schools in Maryland, where he taught music at all levels before retiring, and previously instructed elementary strings for Fairfax County Schools in Northern Virginia. His arranging and composing credits appear with major publishers including Carl Fischer, Alfred, Ludwig, and FJH Music, alongside numerous self-published works.
Caputo's background as a performing musician informs his understanding of what works in the ensemble. He is a trombonist who has performed with the Beethoven Pops and Washington Civic Opera orchestras, toured with Larry Elgart and the Frankie Carle orchestra, and served in the U.S. Army Band at Fort Meyer from 1967 to 1970. He studied arranging with Hank Levy at Towson State University and earned degrees from The Catholic University of America, the Manhattan School of Music, and SUNY College at Potsdam. For years he has served as an adjudicator at concert and jazz band festivals throughout Maryland and at major theme parks on the east coast.
Why we love this
Caputo distills nine spirituals and hymns central to Dr. King's legacy into a single, cohesive medley that resonates with both student and adult audiences. The arrangement stays in accessible keys (D and G Major) while incorporating rhythmic and syncopated passages that stretch players without overwhelming Grade 2.5 ensembles. This is substantial repertoire with genuine cultural weight that serves your curriculum rather than simply filling concert time.
What to expect
The medley unfolds as a musical pilgrimage through some of the most significant hymns and spirituals of the African American church tradition. Syncopated rhythms dance alongside soaring melodies, while the arrangement respects the contemplative, soulful quality of each piece. Whether you're hearing the full sweep of "Lift Every Voice and Sing" or the driving determination of "Oh, Freedom," the strings carry forward the resilience and hope embedded in these songs.
Who it's for
String orchestras at the Grade 2.5 level seeking meaningful repertoire that connects to multicultural learning and American history. Directors programming concerts around Martin Luther King Jr. Day or other observances that honor civil rights and cultural contributions will find this medley both pedagogically sound and appropriate for young audiences.
How to get the most out of it
- Isolate the syncopated passages in sectional rehearsals. Mark the rhythmic figures in parts and have strings speak them aloud before playing them; this builds precision and confidence.
- Balance the melody across your ensemble as it passes between sections. Some phrases sit in viola and cello ranges where they can easily disappear; emphasize these moments in early rehearsals.
- Use the full versions and melodic motifs as rehearsal flexibility. If time is tight, you can perform selected segments or the motif versions without losing the medley's integrity or message.
- Let the rubato and phrasing breathe in the spiritual passages. Avoid metronomic playing; these melodies carry emotional weight that comes through in how you shape the line and allow space around cadences.
How to use it
Program this as a complete medley on a concert dedicated to cultural heritage or civil rights observance, or use individual segments throughout the school year as students encounter these figures and themes in social studies. The nine-song structure allows you to integrate it into a larger concert without overshadowing other repertoire, or to make it the centerpiece of a thematic program that includes spoken word, film, or community performance.
Skills your students will build
- Reading and executing syncopated rhythmic figures in string contexts
- Playing in D and G Major with secure intonation across extended passages
- Balancing melodic lines across multiple sections (particularly when melody transfers to inner voices)
- Shaping phrased music with appropriate rubato and expressive control
- Understanding and performing spirituals and hymns with cultural awareness and respect