Highlights From Aladdin (arr. Michael Sweeney): Concert Band Conductor Score & Parts

By Alan Menken / Arranged by Michael Sweeney

Grade: 2

Item: 35-PK01931151

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$70.00

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Product Price Quantity
Highlights From Aladdin (arr. Michael Sweeney) - Conductor $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Flute $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Oboe $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bassoon $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bb Clarinet 1 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bb Clarinet 2 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bb Clarinet 3 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Eb Alto Clarinet $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bb Bass Clarinet $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Eb Alto Sax 1 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Eb Alto Sax 2 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bb Tenor Sax $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Eb Baritone Sax $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bb Trumpet 1 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bb Trumpet 2 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - F Horn $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Trombone $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Baritone B.C. $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Baritone T.C. $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Tuba $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Bass Line Reinforcement $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Percussion 1 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Percussion 2 $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Mallet Percussion $6.00
Highlights From Aladdin (arr. Michael Sweeney) - Timpani $6.00

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Highlights From Aladdin (arr. Michael Sweeney)

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01931151

More about this title

About the Composer: Alan Menken

Alan Menken has shaped the sound of contemporary musical theater and film for four decades, beginning with his landmark collaborations with lyricist Howard Ashman on The Little Mermaid and Beauty and the Beast. His melodic gift and harmonic sophistication have made him one of the most frequently performed composers in school music programs, with an output that spans Broadway, Disney animation, and live-action films. Menken's music balances accessibility with genuine compositional craft, making it ideal for student musicians who benefit from learning strong melodic writing and clear harmonic structure.

Why we love this

Michael Sweeney's arrangement captures the infectious energy and memorable hooks from Aladdin without overwhelming players at the Grade 2 level. The scoring sits comfortably in young concert bands while preserving the character and swagger of Menken's original writing, making this a genuinely fun addition to your fall or spring concert that audiences immediately recognize and enjoy.

What to expect

Arabian nights magic filtered through contemporary pop arranging, with moments of swagger and fun alongside the sweep of Menken's most singable melodies. The orchestration sparkles with personality, from mysterious opening colors to celebratory ensemble passages that make young musicians feel like they're performing something larger than themselves.

Who it's for

This is ideal for Grade 2 concert bands seeking repertoire that engages both players and audiences. Directors programming family concerts, holiday shows, or spring pops nights will find the Disney catalog instantly appealing to listeners of all ages.

How to get the most out of it

  • Balance the melodic line across your first chairs so the main themes sing clearly; Disney melodies only work when they're actually heard over the accompaniment.
  • Treat the rhythmic figures as grooves rather than martial patterns. The music has a contemporary pop sensibility, so allow some flexibility in the ensemble's pocket.
  • Check your key centers before rehearsals begin. Sweeney's arrangements often modulate, and clarifying which instruments carry the harmonic anchor in each section saves rehearsal time.
  • Shape the dynamic contours within phrases rather than hitting every marked dynamic as an instant change. This music breathes, especially in the slower thematic sections.

How to use it

Use this in a pops or family concert context where you want audience recognition and immediate emotional connection. It pairs well alongside other film or Disney selections if you're building a thematic program, or stands alone as a crowd pleasing opener or closer that leaves the audience smiling.

Skills your students will build

  • Playing lyrical, singable melodies with proper phrasing
  • Executing rhythmic figures with groove and style in contemporary contexts
  • Tracking harmonic changes across key modulations
  • Balancing melodic prominence with accompaniment figures
  • Responding to dynamic shaping that supports phrase architecture

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