Highland Cathedral: String Orchestra Conductor Score & Parts
By Michael Korb / By Ulrich Roever / Arranged by Jim Kazik
Grade: 3-4
Item: 35-PK00133268
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Highland Cathedral - Full Score | $6.00 | |
| Highland Cathedral - Violin 1 | $7.00 | |
| Highland Cathedral - Violin 2 | $7.00 | |
| Highland Cathedral - Violin 3 (Viola Treble Clef) | $7.00 | |
| Highland Cathedral - Viola | $7.00 | |
| Highland Cathedral - Cello | $7.00 | |
| Highland Cathedral - Bass | $7.00 | |
| Highland Cathedral - Piano | $7.00 | |
| Highland Cathedral - Percussion | $7.00 | |
| Highland Cathedral - Timpani | $7.00 |
Parts Added to Cart!
Description
Highland Cathedral: String Orchestra Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
Why we love this
The Scottish melodic character feels genuinely ceremonial without veering into kitsch, and Jim Kazik's arrangement sits comfortably in the Grade 3-4 range while maintaining musical dignity. The built-in repeat structure means you can adjust the piece's length to fit your program's needs, a practical feature that many directors overlook but always appreciate.
What to expect
Dignified and warm, with the kind of melodic character that sounds both stately and approachable. The Scottish flavor adds a touch of character without demanding any special technique; listeners hear personality, not gimmick.
Who it's for
Intermediate string orchestras with a graduation or ceremonial event on the calendar. This works equally well for directors building a spring concert program around processional music or for those needing a dependable piece for weddings and formal events throughout the year.
How to get the most out of it
- Keep the opening phrase unhurried. The regal quality depends on space and breath rather than tempo; resist the urge to push forward.
- Balance the string sections so the melody sings clearly over the harmonic foundation. This isn't a piece where inner voices disappear.
- Shape the repeated section slightly, perhaps with a touch more warmth or resonance on the second pass, rather than playing it identically.
- Pay attention to the transitions in and out of any repeated sections. Clean attacks matter more than you might expect in a processional.
How to use it
Plant this as an opener for a graduation concert or use it as a meaningful recessional when you want something more substantial than background music. It also pairs naturally with other celebratory or ceremonial works, anchoring a spring program with a clear emotional center.
Skills your students will build
- Phrasing in a lyrical context without sacrificing rhythmic clarity
- Balance and blend across four or five parts at a moderate tempo
- Stylistic awareness in functional music (processionals and ceremonies)
- Confidence in sustaining long melodic lines with consistent vibrato and tone