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High Voltage for Clarinet and Piano: Clarinet Book

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High Voltage for Clarinet and Piano Cover Image

High Voltage for Clarinet and Piano: Clarinet Book

By Alan Shulman

Item: 36-50440004

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Description
High Voltage was written for Alan Shulman's swing ensemble, The New Friends of Rhythm who recorded it for Victor Records in 1939 and for International Records in 1947. The clarinet and piano version appeared in 1948.

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Additional Details
Series: LudwigMasters Woodwind Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-898108-83-4
ISBN13: 979-8-898108-83-0
UPC: 612735695026
SKU: 36-50440004
Instrumentation: Clarinet, Piano

More about this title

About the Composer: Alan Shulman

Alan Shulman (1915-2002) was an American composer and cellist who built a prolific career writing for film, television, and the concert stage. He had a particular gift for accessible, energetic works that combined classical craftsmanship with popular idioms, and his output ranged from orchestral pieces to chamber music and solo arrangements. High Voltage emerged from his work with The New Friends of Rhythm, a swing ensemble he wrote for in the late 1930s, reflecting his interest in bridging concert music and jazz vernacular.

Shulman's approach to composition prioritized clarity and playability without sacrificing musical substance. His arrangements and original works remain valuable for music educators seeking repertoire that engages students through rhythmic vitality and memorable melodic writing.

Why we love this

High Voltage brings authentic swing energy to the clarinet recital without requiring the full ensemble context. The writing sits comfortably on the clarinet while the piano part maintains the rhythmic drive and harmonic color that made the original recording memorable, giving solo clarinetists a chance to perform genuinely swinging music that connects to early jazz history.

What to expect

High Voltage crackles with the optimism and drive of late 1930s swing. The clarinet line dances over the piano's syncopated accompaniment with straightforward joy, never precious or overly complex, yet genuinely styled and historically grounded.

Who it's for

Grade 4 clarinetists ready to explore repertoire beyond lyrical solos and concert arrangements. This suits advanced middle school players or early high school clarinetists comfortable with energetic rhythmic figures and interested in how classical musicians can authentically approach jazz idioms.

How to get the most out of it

  • Keep the eighth-note pulse even and relaxed; the swing feel depends on rhythmic confidence rather than exaggeration.
  • Coordinate with the pianist on the interpretation of swing articulation, since the piano's offbeat comping patterns anchor the groove.
  • Shape phrases around the melodic contour rather than phrase marks; this piece rewards forward motion and conversation with the accompaniment.

How to use it

Program this on a chamber or recital concert that mixes periods and styles; it pairs naturally with standard classical solos while adding a refreshing jazz-inflected interlude. The piece also works well for a school jazz or twentieth-century American music concert, offering students and audiences a bridge between concert traditions and popular musical forms.

Skills your students will build

  • Swing articulation and phrasing appropriate to the 1930s-40s jazz idiom
  • Maintaining steady pulse within syncopated rhythmic accompaniment
  • Balancing virtuosity with stylistic authenticity rather than technical display
  • Listening responsively to a pianist's comping and adjusting phrasing in real time

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