High Velocity Sheet Music Preview

High Velocity: Flexible String Ensemble Score & Parts

By Michael Story

Grade: 2.5

Item: 00-PK-0009183

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$60.00

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Description
This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental---free of charge.

High Velocity, by Michael Story, is an exciting original work full of contemporary sounds. This A-B-A form piece will be an audience and student favorite with its high-energy melodic lines, lyrical contrast, and colorful harmonies. Solidly scored for your intermediate string orchestra, it would be an excellent choice for any concert or contest. (3:00)

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Additional Details
Series: Belwin Intermediate String Orchestra
Publisher: Alfred Music
SKU: 00-PK-0009183

More about this title

About the Composer: Michael Story

Michael Story is an accomplished composer and arranger whose orchestral works have become standards in school music programs across North America. His compositions balance accessibility with musical substance, earning consistent adoption by directors who value contemporary idiom alongside solid pedagogy.

Why we love this

High Velocity rewards intermediate ensembles with genuinely engaging contemporary writing that doesn't compromise on craft. The flexible instrumentation system means you're not locked into one voicing—you can redistribute parts on the fly to match your roster, making this piece work for small quartets or fuller orchestras without reprinting.

What to expect

High Velocity pulses with contemporary energy—think bright colors and kinetic forward motion punctuated by moments of lyrical breathing space. The melodic lines feel modern without abandoning string writing fundamentals, and the harmonic language keeps listeners engaged without demanding performance at the edge of intermediate capabilities.

Who it's for

Intermediate string orchestras seeking contemporary repertoire that works equally well in concert settings and competition formats. This piece suits ensembles of any size thanks to the flexible transposition system, making it accessible whether you have a complete section complement or mixed instrumentation.

How to get the most out of it

  • Balance the rhythmic momentum across all sections during the A sections; uneven articulation in the running passages will diffuse the high-energy character.
  • Shape the lyrical B section with clear phrase arcs rather than playing it as a straightforward tempo reduction—the contrast lands harder when the emotional shift is intentional.
  • Invest in intonation work on the sustained harmonies in the middle section, as colorful voicings can expose tuning issues that zippy passages mask.

How to use it

Program this as your opening number to energize the audience, or use it as a bridge piece between more traditional repertoire and experimental works. It also pairs well on a contest entry where you need a contemporary selection that demonstrates both technical facility and musicianship without excessive difficulty.

Skills your students will build

  • Rhythmic precision in fast sixteenth-note passages
  • Dynamic contrast between energetic and lyrical sections
  • Intonation in colorful harmonic progressions
  • Ensemble synchronization across transposed parts
  • Phrase shaping in contemporary idiom

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