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High School Of The Violin, bk 1: Conductor Score & Parts

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High School Of The Violin, bk 1: Conductor Score & Parts

By Ferdinand David

Item: 36-M274491

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Additional Details
Series: Master String Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852032-5
ISBN13: 979-8-88-852032-1
UPC: 660355100758
SKU: 36-M274491
Instrumentation: Violin and Piano

More about this title

About the Composer: Ferdinand David

Ferdinand David (1810-1873) was a German violinist and composer whose pedagogical works became foundational texts for 19th-century string instruction. A student of Louis Spohr and concertmaster of the Leipzig Gewandhaus Orchestra under Felix Mendelssohn, David combined his performing mastery with a gift for writing music that builds technique systematically without sacrificing musicality.

Why we love this

This first book establishes fundamental violin technique with purpose and elegance. David writes progressively, introducing positions and bow control through actual musical phrases rather than mechanical exercises, so students develop both mechanics and interpretive instinct from the start.

What to expect

Purposeful and lyrical. David writes melodies that sing even within technical constraints, creating a sense that building technique is inseparable from making music. The opening studies feel like genuine songs rather than finger exercises.

Who it's for

Young violinists establishing primary position and building foundational bow technique. Teachers developing students' ability to read and execute basic musical structures with stylistic awareness.

How to get the most out of it

  • Attend carefully to the piano part as a conversation partner, not merely accompaniment. The balance between violin and piano often suggests phrasing and rubato.
  • Work through positions methodically before performance. David's position shifts are logical and purposeful; mark them clearly in the score for consistent execution across repeated practice.
  • Shape shorter phrases with clear bow changes at natural musical cadences rather than allowing the bow arm to dictate phrasing choices.

How to use it

Use this as core pedagogical repertoire across the first years of serious violin study rather than as a recital piece. The book's structure supports sequential skill-building over an entire year or more, with individual exercises becoming performance-ready once students have command of the required technique.

Skills your students will build

  • Reading in first position and shifting to second position
  • Control of whole bow and half-bow articulation
  • Coordination of bow direction with slur grouping and phrasing
  • Basic vibrato introduction in musical context
  • Recognizing and executing simple dynamic shapes
  • Playing through simple harmonic progressions with awareness of chordal function

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