Hey, Soul Sister Sheet Music Preview

Hey, Soul Sister: SAB Choral Octavo

By Espen Lind / By Pat Monahan / By Amund Bjorklund / As performed by Train / Arranged by Mark Brymer

Item: 35-DS00157215

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00157215

More about this title

About the Composer: Espen Lind

Espen Lind is a Norwegian songwriter and producer who has crafted hits across multiple genres, from pop to rock to film scores. His work with artists like Train demonstrates his gift for writing instantly memorable melodies that sit comfortably in the voice while maintaining genuine emotional depth.

Why we love this

Mark Brymer's arrangement captures everything that made this song a radio staple without oversimplifying it for three voices. The voicing sits naturally across SAB ranges, the harmonic movement feels contemporary without losing singability, and you get a piece that audiences recognize immediately while your singers experience real musical satisfaction.

What to expect

Warm, upbeat, and genuinely joyful. The melody sits in a comfortable register and the harmonic language is accessible yet engaging, creating that sweet spot where singers feel confident while still experiencing real musicianship. There's an infectious optimism throughout that translates immediately to listeners.

Who it's for

Choirs seeking contemporary repertoire that connects with singers and audiences alike will find a reliable choice here. This works equally well for middle school groups ready for three-part writing and high school choirs looking to include modern pop in a concert program without sacrificing musicality.

How to get the most out of it

  • Keep the groove pocket tight; this tune lives in its rhythmic specificity. Even at moderate tempos, lock the eighth-note feel with your accompaniment to maintain that infectious quality.
  • Balance the soloistic moments (particularly in the verse sections) with the fuller harmonic texture of the chorus. Give soloists the space to phrase naturally without drowning out the internal voice parts.
  • Shape the dynamic arc across each section rather than singing at a static level. Let the song breathe and build organically toward the final chorus.
  • Pay attention to the text articulation in the pre-chorus material. Clean consonants and precise vowel shaping will help the modern pop idiom land clearly for your audience.

How to use it

Program this alongside a mix of standards and art songs to demonstrate the breadth of modern choral writing. It works beautifully as a pacing piece in a longer concert or as the centerpiece of a pop-focused showcase that includes other contemporary arrangements. Consider pairing it with contrasting material to highlight both the contemporary edge and the vulnerability in the song's lyrical content.

Skills your students will build

  • Singing in contemporary pop idioms with proper rhythmic precision
  • Balancing blend and independence across three voice parts in a homophonic texture
  • Phrasing and dynamics in modern song contexts
  • Ensemble cohesion with rhythmic accompaniment tracks
  • Connecting text expression to contemporary musical styles

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