Hey Jude: Jazz Ensemble Conductor Score & Parts
By John Lennon / By Paul McCartney / As performed by The Beatles / Arranged by Rick Stitzel
Grade: 1-2
Item: 35-PK00160367
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Hey Jude - Full Score | $6.00 | |
| Hey Jude - Alto Sax 1 | $6.00 | |
| Hey Jude - Alto Sax 2 | $6.00 | |
| Hey Jude - Tenor Sax 1 | $6.00 | |
| Hey Jude - Tenor Sax 2 | $6.00 | |
| Hey Jude - Baritone Sax | $6.00 | |
| Hey Jude - Trumpet 1 | $6.00 | |
| Hey Jude - Trumpet 2 | $6.00 | |
| Hey Jude - Trumpet 3 | $6.00 | |
| Hey Jude - Trombone 1 | $6.00 | |
| Hey Jude - Trombone 2 | $6.00 | |
| Hey Jude - Trombone 3 | $6.00 | |
| Hey Jude - Guitar | $6.00 | |
| Hey Jude - Piano | $6.00 | |
| Hey Jude - Bass | $6.00 | |
| Hey Jude - Drums | $6.00 |
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Description
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More about this title
About the Composer: John Lennon
John Lennon shaped popular music as a founding member of The Beatles, fundamentally changing how songwriting and recording could function in rock music. Beyond his iconic status, Lennon's compositional approach emphasized melodic clarity and emotional directness, qualities that make his work enduringly teachable in ensemble settings.
Why we love this
Rick Stitzel has written an arrangement that trusts every section to carry the tune, which means no one sits idle and everyone experiences ownership of this beloved melody. The rock ballad foundation keeps the style accessible for younger players while the rotating melody assignments create natural sectional leadership opportunities throughout the piece.
What to expect
Warm and familiar. The arrangement honors the original's emotional weight while the rock ballad setting gives it a relaxed, contemporary groove that appeals to young musicians who grew up hearing this song everywhere. There's a satisfaction in watching each section step forward to claim the melody.
Who it's for
Beginning jazz ensembles (grades 1-2) looking for repertoire that builds confidence through melody sharing and reward students with a song they recognize and love. This works equally well for mixed instrumentation or traditional jazz band setup since every section gets meaningful material.
How to get the most out of it
- Balance the melody carefully as it passes between sections; younger ensembles tend to either bury the tune or play it too aggressively. Set a baseline volume for melody in the first section, then remind others to match that reference.
- Let the rock ballad phrasing breathe. This isn't a march, so encourage sustained tone quality over percussive attacks, especially on longer note values.
- The tutti sections gain power from rhythmic cohesion rather than volume alone. Use rehearsal time to lock the band's articulation and subdivision before focusing on dynamics.
- Tempo consistency matters more than flexibility here. A metronome or recorded accompaniment helps younger players internalize the rock feel without rushing through the ballad sections.
How to use it
Pair this with a winter or spring concert where you want an encore or opening number that connects with audiences of all ages. The recognizable tune and straightforward arrangement make it ideal early in the year as an ensemble builder, or late in the season as a morale boost when students need a confidence win.
Skills your students will build
- Sustaining phrase lines across multiple measures
- Balancing ensemble blend when passing melody between sections
- Rock rhythmic feel and articulation
- Reading and executing tutti section dynamics and attacks
- Musical interpretation of a ballad style within a pop context