Hey, Good Lookin' Cover Image

Hey, Good Lookin': SATB Choral Octavo

$2.25 USD
$2.25 USD
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Hey, Good Lookin' Cover Image
Hey, Good Lookin': SATB Choral Octavo

Hey, Good Lookin': SATB Choral Octavo

Words and music by Hank Williams / arr. Jay Althouse

Item: 00-27165
$2.25
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Description
Here's a driving, rock version of the Hank Williams classic. From the opening measure it'll knock your socks off. Strong, easy-to-learn choral parts and a rockin' piano accompaniment are the stars here. Great for any choir, any age, any size. Just roll up your sleeves and let it rock!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081294254
SKU: 00-27165

More about this title

About the Composer: Hank Williams

Hank Williams (1923, 1953) shaped country music's sound and sensibility during the postwar era, writing songs that moved seamlessly between heartbreak and humor. His gift for melody and vernacular storytelling made him one of the most recorded songwriters in American music, and his influence extends far beyond country into rock, pop, and blues.

Why we love this

Jay Althouse's rock treatment captures the swagger of the original without losing its melodic charm, and the voicing sits comfortably for singers at any experience level. The arrangement respects the song's DNA while giving modern choirs permission to own it with energy and attitude.

What to expect

Confident and playful, with the swagger of a classic country-rock throwback. The piano accompaniment propels you forward from the first chord, and the choral parts lock into a groove that's both easy to grasp and satisfying to execute.

Who it's for

Any choir looking for a secular opener or closer that energizes an audience without requiring instrumental virtuosity. The straightforward voicing and familiar melody make it accessible for high school and community choirs, while the rock arrangement keeps it fresh enough to feel contemporary.

How to get the most out of it

  • Keep the rhythm section locked tight from measure one. The piano and drums propel this piece, so rehearse the band separately if you have instrumental parts available, then integrate singers once the groove is solid.
  • Balance the homophonic sections against the rhythmic figures in the accompaniment. Singers should anchor their entrances to the band, not the other way around.
  • Let the text drive your phrasing. Althouse hasn't obscured the lyrics, so commit to the humor and directness of Williams's words; the music will follow.
  • Shape dynamics across phrases rather than holding back. This arrangement thrives on forward motion and confidence.

How to use it

Open a pops concert with this to establish a fun, approachable tone. It also works well as a bridge between classical and contemporary repertoire, signaling to audiences that your choir has range and a sense of humor.

Skills your students will build

  • Rhythmic precision in contemporary/rock idioms
  • Blending and locking into a groove
  • Confident, character-driven text delivery
  • Following and responding to instrumental accompaniment

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