Hey Fiddle Fiddle! Sheet Music Preview

Hey Fiddle Fiddle!: String Orchestra Conductor Score & Parts

By Brian Balmages

Grade: 1.5

Item: 98-DST6120

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$50.00

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Description
With past commissions by groups such as the Baltimore and Miami Symphony Orchestras, Brian Balmages now turns to a lighter side with this fun-spirited fiddle tune. Your students and audience will feel like part of a live hoedown as they get into the music and even stomp and clap to add to the authentic experience. Lots of fun!

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
SKU: 98-DST6120

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor working across orchestral, band, and chamber repertoires at every performance level. His works have been heard in major concert halls including Carnegie Hall, the Kennedy Center, and the Sydney Opera House, performed by ensembles ranging from professional orchestras to elementary school groups. He holds the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest. His music was performed at the 2013 Presidential Inaugural Prayer Service attended by President Obama and Vice President Biden.

Balmages serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic. He maintains an active conducting schedule with all-state ensembles, university groups, and professional orchestras worldwide, and has guest conducted at venues including the Midwest Clinic, Western International Band Clinic, and numerous international conferences. He holds degrees from James Madison University and the University of Miami, both of which have recognized his contributions to music.

Why we love this

Balmages brings his symphonic pedigree to beginner strings without a hint of condescension, crafting an arrangement that genuinely captures the energy of a live hoedown. The built-in opportunities for audience participation (stomping and clapping) turn a performance into a shared event rather than a passive listening experience, which younger ensembles find genuinely exciting to execute. At Grade 1.5, the writing respects what young string players can actually do while keeping the fiddle idiom authentic and recognizable.

What to expect

Infectious and celebratory, with the unmistakable swagger of a fiddle tune played by a committed ensemble. The piece creates a sense of informal joy and community, as though the audience has wandered into an authentic barn dance with all its honest, unbridled enthusiasm.

Who it's for

Beginning to early-intermediate string orchestras looking for engaging, stylistically distinct repertoire that energizes both performers and listeners. This works equally well for groups performing their first concert and for ensembles seeking a crowd-pleasing encore or festival selection.

How to get the most out of it

  • Establish the stomp-and-clap patterns in rehearsal before adding instrumental parts; get the rhythm section locked in first, then layer strings over it.
  • Encourage natural phrasing and rhythmic lift in the string sections rather than metronomic precision, which will help the fiddle character breathe.
  • Consider having non-performing students or audience members participate in the rhythmic accompaniment if your ensemble is small or if the moment calls for maximum energy.
  • Adjust tempo slightly if needed to match your ensemble's comfort level with the faster passages while maintaining the hoedown spirit.

How to use it

Program this as an opener or closer to establish an upbeat, accessible tone for your concert. It pairs well with traditional or folk-inspired repertoire on the same program, or use it as a standalone moment to highlight the personality and growth of a young string ensemble.

Skills your students will build

  • Reading and executing rhythmic patterns in a folk idiom
  • Ensemble rhythmic precision in a fast-moving melodic line
  • Ornamentation and stylistic articulation typical of fiddle repertoire
  • Coordinate playing with non-musical performance elements (stomping, clapping) without losing musical focus

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