Hernando's Hideaway (arr. Mark Brymer): 2-Part Choral Octavo

Brymer captures the sultry swagger of this Broadway classic in a two-part setting that works beautifully for mixed or treble choirs without dumbing down the harmonic content. The arrangement respects the song's theatrical personality while giving young singers legitimate musical challenges that feel achievable, not overwhelming.

Sultry and sly, with a barely contained energy that suggests nightlife and intrigue. The melody sits in a comfortable range where singers can focus on character and interpretation rather than vocal strain, while the harmonic backdrop hints at the sophisticated jazz and Latin influences that made the original iconic.

This arrangement serves choirs at the middle school through early high school level, as well as adult community ensembles seeking accessible Broadway material. It works equally well for singers with limited reading experience and those ready to tackle slightly more sophisticated harmonic writing.

• Anchor the rhythm section with confidence; this tune thrives on a propulsive, slightly syncopated groove that gives the melody room to breathe rather than rushing it.
• Balance the two vocal lines carefully during the refrain so the upper part doesn't overshadow the lower voices, which carry important harmonic and rhythmic texture.
• Lean into the theatrical character with intentional dynamics and phrasing rather than singing it as a pretty ballad; the song's title alone suggests attitude and drama.
• Let the accompaniment provide much of the Latin flavor and harmonic intrigue; the voices need only lock in solidly with the ensemble pulse.

This pairs naturally with other mid-century Broadway showstoppers in a pops concert or Broadway-themed program, or it can anchor a lighter set within a more classical concert when you need a moment of pure entertainment and fun. Its theatrical flair also makes it excellent for variety shows or musicals where you need strong solo or small-group moments that showcase personality.

• Singing two independent vocal lines with secure part integrity
• Phrasing and interpretation in a theatrical context
• Rhythmic precision in syncopated passages
• Blending different dynamics across a two-part texture
• Connecting text and character to musical execution