Here's to Us (as heard on "Glee"): Piano/Vocal/Chords
The Biggest Hits * The Greatest Artists (Deluxe Annual Edition)
Item: 00-PS-0013570
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Description
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More about this title
About the Composer: Lizzy Hale
Lizzy Hale is the lead vocalist and primary songwriter for the hard rock band Halestorm, which formed in 1997. Known for her powerful vocal delivery and songwriting that blends rock intensity with emotional depth, Hale has become a prominent figure in modern rock music, earning Grammy nominations and contributing to both original compositions and collaborative projects across genres.
Beyond Halestorm, Hale has ventured into television and film work, including appearances on the musical drama series Glee. Her ability to write and interpret songs that resonate across different musical contexts demonstrates her versatility as both a performer and composer.
Why we love this
This folio brings together genuinely singable pop and rock hits from 2012, which means your students already know these songs. The arrangements respect the recorded versions while remaining playable at the piano, and the inclusion of chord grids opens the door for guitarists to participate in rehearsals and performances without needing separate transcriptions.
What to expect
These are songs built for emotional connection and melodic memorability. You'll find yourself drawn to the singable lines and harmonic progressions that feel both accessible and satisfying. The arrangements preserve the pop and rock character of the originals while translating them into a format that works at the piano.
Who it's for
This collection serves pianists and singers preparing solo recitals, duet programs, or informal performances of contemporary pop and rock repertoire. It's equally useful for music students building a modern song portfolio and for adult amateur musicians seeking current, recognizable material that matches their skill level.
How to get the most out of it
- Balance the vocal line against the piano accompaniment by keeping left-hand figures rhythmically clean rather than thick. Let the singer own the space.
- Study the original recordings before rehearsing. Many of these songs have rhythmic feels or phrasing conventions that sheet music alone won't capture.
- When performing with a guitarist, check chord voicings in the grids against your piano voicings. You may want to thin your arrangement to avoid doubling that clouds the sound.
- Pay attention to dynamics marked in the score, particularly in the verses where many of these songs build gradually rather than jump to full volume.
How to use it
Consider programming one or two selections from this folio as part of a student recital to showcase contemporary music alongside classical or standard repertoire. The breadth of styles allows you to select pieces that match individual student voices, whether they gravitate toward uptempo anthems or slower ballads.
Skills your students will build
- Reading and interpreting lead sheets with chord symbols and melody lines
- Adapting recorded vocal phrasings and stylistic conventions to notated arrangements
- Coordinating vocal line with piano accompaniment at different tempos and dynamics
- Understanding pop and rock harmonic progressions and their voicing options