Here I Go Again: Lead Sheet / Fake Book
Here I Go Again Sheet Music Preview

Here I Go Again: Lead Sheet / Fake Book

As performed by Whitesnake

Item: 35-DS00376628
Digital Download
$3.99
Description

Here I Go Again: Lead Sheet / Fake Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00376628

More about this title

About the Artist: Whitesnake

Whitesnake emerged from the British hard rock scene in the early 1980s, built around the commanding vocals of David Coverdale and the virtuosic guitar work of Micky Moody and later John Sykes. The band achieved massive international success by blending blues-rooted rock with polished production and memorable songwriting, establishing themselves as arena rock staples throughout the decade and beyond.

Their 1987 self-titled album became a cultural phenomenon, spawning multiple hit singles and cementing Whitesnake's place in rock radio history. The band's ability to craft songs with strong melodic hooks and straightforward emotional directness made their material particularly accessible for musicians across skill levels.

Why we love this

This lead sheet captures one of rock's most instantly recognizable melodies in a format that works equally well for learning the song's structure or adapting it for ensemble performance. The straightforward harmonic movement and clear vocal line make it an excellent resource for students working on jazz comping, transposition, or arranging their own versions.

What to expect

The song carries the confidence and swagger of 1980s arena rock, built on a foundation of blues-influenced harmony that feels both powerful and intimate. The melody sits comfortably in the voice while remaining memorable enough that audiences connect instantly, making it rewarding material to perform with conviction.

Who it's for

Keyboard players and singers preparing rock or pop repertoire for recital, competition, or ensemble settings will find this lead sheet immediately useful. It's also valuable for students learning to improvise over familiar changes or for directors seeking accessible material that bridges classical training and contemporary music.

How to get the most out of it

  • Focus on the rhythmic pocket that drives the original recording; the groove sits slightly behind the beat, so practice with a click before adding swing or shuffle feels
  • Treat the vocal melody as your primary guide for phrasing and dynamics rather than playing it mechanically; listen to how Coverdale breathes and sustains through phrases
  • Experiment with different voicings in the left hand once you're comfortable with the basic changes; the original arrangement suggests fuller comping than a minimal approach
  • Pay attention to any tempo fluctuations in the recorded version and consider whether your interpretation benefits from slight rubato in the intro or transitions between sections

How to use it

Consider pairing this with other rock standards for a contemporary music concert or hybrid recital that challenges traditional genre boundaries. It also serves well as a gateway piece for students transitioning from classical study into popular music styles, allowing them to apply reading and performance skills to songs they already know.

Skills your students will build

  • Reading and interpreting lead sheet notation and chord symbols
  • Comping techniques and voicing choices in the accompaniment
  • Phrasing decisions based on vocal melody and lyrical content
  • Transposition and adaptation of melody and harmony
  • Balancing melody, harmony, and rhythm in solo keyboard performance

You May Also Like