Here Comes The Rain Again (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

Here Comes The Rain Again (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by Eurythmics / Arranged by Jim Beloff

Item: 35-DS01523791

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Here Comes The Rain Again (from The Daily Ukulele) (arr. Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01523791

More about this title

About the Artist: Eurythmics

Eurythmics emerged from Edinburgh in the early 1980s as a synth-pop powerhouse, with Annie Lennox's distinctive vocals and Dave Stewart's innovative production defining the sound of the decade. Their catalog spans from new wave experimentation to sophisticated pop songwriting, earning them induction into the Rock and Roll Hall of Fame and establishing them as artists whose work translates across genres and generations.

Why we love this

Jim Beloff's ukulele arrangement captures the contemplative essence of this 1984 classic while making it fully accessible on a four-string instrument. The simplicity of the arrangement means students focus on phrasing and dynamics rather than technical complexity, giving them space to inhabit the song's wistful character without wrestling the mechanics.

What to expect

Quiet reflection tinged with longing. The arrangement mirrors the original's minimalist production, letting each chord and melodic turn speak clearly. There's an understated intimacy here that invites the listener in, creating space for genuine emotional connection without theatrical embellishment.

Who it's for

Players tackling popular music on ukulele, whether in a coffeehouse setting, classroom ensemble, or solo repertoire. This works equally well for intermediate students building expressive playing skills and more advanced players wanting accessible material that rewards thoughtful interpretation.

How to get the most out of it

  • Let the melody breathe. The song's power comes from restraint, not rushing through phrases. Give each note room to resonate before moving to the next one.
  • Pay attention to the chord changes as harmonic punctuation. They mark emotional moments in the lyric, so shape your dynamic slightly as the harmony shifts.
  • The ukulele's natural warmth works beautifully here. Avoid digging in too hard; a lighter touch keeps the introspective mood intact.
  • Consider the arrangement in relation to the original recording. Knowing Annie Lennox's phrasing will inform where you can add subtle rubato or emphasis without departing from the notation.

How to use it

Pair this with other 1980s pop standards for a nostalgia program, or use it as a standalone opening number for an informal concert. The single-page format and moderate difficulty make it ideal for a workshop or community performance where accessibility and polish matter equally.

Skills your students will build

  • Phrasing and breath control adapted to a string instrument
  • Dynamic shaping in a minimalist arrangement
  • Connecting chord changes to emotional content
  • Translating a synth-pop production into acoustic terms

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