Here Comes Santa Claus (Right Down Santa Claus Lane): Jazz Ensemble Conductor Score & Parts
By Gene Autry / By Oakley Haldeman / Arranged by John Berry
Grade: 3
Item: 35-PK00129595
$50.00
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Description
Featuring a Basie-like style and a medium swing tempo, here is a great choice for your next holiday concert. Solos are included for trumpet and alto.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00129595
More about this title
About the Composer: Gene Autry
Gene Autry was a singer, actor, and composer who became a cultural icon of American entertainment in the mid-20th century. Beyond his film and recording careers, Autry wrote or co-wrote numerous songs that became standards, including several enduring holiday classics that remain staples of seasonal programming.
Why we love this
John Berry's arrangement captures the swagger of classic big band swing while keeping the Grade 3 reading manageable across your section. The built-in trumpet and alto sax solos give your players a chance to improvise within a structured, forgiving harmonic framework, and the Basie-influenced voicings sound sophisticated without demanding technical gymnastics.
What to expect
Warm, nostalgic, and buoyant. The medium swing tempo and Basie-style harmonies evoke a winter evening with good humor and genuine musicality, never saccharine. Your ensemble will sound like they belong in a room full of people who actually want to hear jazz.
Who it's for
Jazz ensembles at the intermediate level who want a holiday number that sounds polished and fun without derailing your semester's learning goals. Directors programming winter concerts need reliable, audience-friendly repertoire that also gives students meaningful solo opportunities.
How to get the most out of it
- Balance the melody against the rhythm section by asking your front line to play with conversational dynamics rather than straight forte; let the groove breathe underneath.
- Coach your trumpet and alto soloists to listen to classic Basie recordings for phrasing ideas; the blues sensibility in those solos rewards simple, swinging lines over busy ones.
- Anchor the feel in the walk of your bass player and the comping of your piano or guitar; a locked rhythm section transforms the arrangement from pleasant into genuinely swinging.
How to use it
Slot this into a holiday concert as a palate cleanser between more serious selections, or build a full set of three or four jazz standards around it to showcase your ensemble's range and flexibility. It works equally well as a closing number that leaves the audience smiling, or as an opener that signals this will be a fun evening.
Skills your students will build
- Reading jazz chord symbols and improvising over changes
- Swing feel and articulation at moderate tempos
- Comping and rhythmic conversation between melody and rhythm section
- Solo construction with limited harmonic vocabulary
- Balancing ensemble blend with individual voice in a big band texture