Heart Of Glass Sheet Music Preview

Heart Of Glass: SATB Choral Octavo

By Chris Stein / By Deborah Harry / As performed by Blondie / Arranged by Deke Sharon

Item: 35-DS00152181

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Additional Details
Publisher: Hal Leonard
Page Count: 18
SKU: 35-DS00152181

More about this title

About the Composer: Chris Stein

Chris Stein co-founded Blondie in 1974 and shaped the band's signature sound through his guitar work and songwriting. As a composer, he bridged new wave, disco, and pop sensibilities, creating hooks that demanded both sophistication and accessibility. His work continues to influence contemporary songwriting and remains a staple in music education for its blend of melodic clarity and rhythmic innovation.

Why we love this

Deke Sharon's arrangement captures the hypnotic groove and crystalline production of the original while giving each voice part room to breathe within the SATB texture. The song's deceptive simplicity makes it ideal for choirs building confidence with a cappella singing, yet the arrangement rewards singers who find the subtle interplay between parts. Programming this piece signals to audiences that contemporary pop belongs in concert halls.

What to expect

Crystalline and introspective. The arrangement maintains the original's dreamlike quality while giving it the intimacy of voices singing in close harmony. There's an undercurrent of melancholy beneath the geometric precision of the writing, inviting singers to find emotional depth in what initially sounds playful.

Who it's for

Any SATB choir seeking repertoire that feels fresh and contemporary without sacrificing musicianship. This works equally well for secular choirs, show choirs expanding their pop catalog, and community ensembles looking to engage younger audiences.

How to get the most out of it

  • Treat the pulse as the anchor. Even slight tempo wavering will expose the arrangement's reliance on rhythmic precision, so establish a rock-solid foundation before adding any stylistic flexibility.
  • Balance the upper voices carefully. The soprano and alto lines often carry the melodic identity, but if they overshadow the harmonic foundation provided by tenor and bass, the piece loses its hypnotic quality.
  • Let the lyrics breathe between phrases. Resist the urge to sustain every note; the silences and rhythmic gaps are integral to the arrangement's modern aesthetic.
  • Shape dynamics across entire sections rather than within individual lines. Build intensity through cumulative effect rather than dramatic peaks.

How to use it

Pair this with other 1970s and 1980s pop standards to build a set that explores how commercial songwriting and art music collide. It also serves as an excellent opener or closer for concerts aimed at mixed audiences, since the song's fame ensures immediate recognition while the arrangement demonstrates your choir's technical ability.

Skills your students will build

  • Layering independent melodic lines without losing ensemble cohesion
  • Maintaining steady tempo in a cappella settings
  • Balancing pop sensibility with choral technique
  • Shaping phrasing across rests and silences
  • Controlling blend and balance across four distinct parts

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