Hear Those Holiday Bells! Sheet Music Preview

Hear Those Holiday Bells!: 2-Part Choral Octavo

By Mary Donnelly / By George L.O. Strid

Item: 35-DS00149692

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00149692

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and studied English and French at the University of Nevada before discovering her calling in music education. She pursued certification and earned a Master's Degree in Education from Lesley College, where she focused on integrating the arts across curricula. For three decades, she taught general music and choir in the Washoe County schools, retiring as an active member of ACDA, NEA, and ASCAP.

In 1986, Donnelly began collaborating with George L.O. Strid after their principal asked them to compose a musical for Reading Week. That first project, The Million Dollar Mystery, launched a prolific partnership spanning over two hundred songs and twenty-five musicals. Their work consistently reflects deep understanding of what young singers need: memorable melodies, engaging texts, and arrangements that serve the ensemble without overwhelming it.

Why we love this

Donnelly and Strid have built their reputation on writing for singers who are still building fundamentals, which means this 2-part setting avoids the trap of oversimplification while remaining genuinely accessible. The holiday setting gives your winter concert immediate warmth and familiarity, but the writing itself commands attention rather than coasting on seasonal nostalgia.

What to expect

The title invokes the clarity and brightness of actual bells, and the music honors that imagery with direct melodic lines and transparent voicing. This is holiday music that sounds intentional rather than obligatory, with enough harmonic interest to satisfy singers while remaining warm and celebratory.

Who it's for

Middle school and high school choirs seeking confident 2-part holiday literature. Equally valuable for smaller vocal ensembles, community choirs, or directors programming a concert that needs a piece with substance beyond the typical seasonal fare.

How to get the most out of it

  • Balance the two parts as equal voices rather than positioning one as accompaniment; this is where the piece reveals its harmonic sophistication and keeps both sections engaged.
  • Pay attention to any text painting or rhythmic detail in the lyric that might clarify phrasing choices; Donnelly writes with words in mind, not just around them.
  • Allow the ensemble time to find the specific vowel shapes that anchor the holiday character without forcing theatrical delivery.

How to use it

Open your holiday concert with this piece to establish both festive mood and musical credibility early. Alternatively, place it in the middle of a set to provide a textural shift and vocal rest point between more demanding arrangements.

Skills your students will build

  • Balancing independent melodic lines in 2-part texture
  • Maintaining clear diction while sustaining longer phrases
  • Listening across the ensemble for blend and intonation in parallel voicing

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