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Hear the Bells: 2-Part Choral Octavo

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Hear the Bells Cover Image

Hear the Bells: 2-Part Choral Octavo

Words and music by Dave and Jean Perry

Item: 00-41579

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Description
The buoyant compound meter of this jovial Christmas charmer is suggestive of Irish folk music. Tuneful melodies are paired with merry "ding dong" counterlines as this refreshing choral (with processional potential) unfolds. Download the optional tambourine part at alfred.com/choralparts.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hear the Bells: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081466590
SKU: 00-41579

More about this title

Why we love this

The compound meter and folk-inspired melodic contours create immediate character without demanding technical complexity. The counterpoint between the main melody and the "ding dong" parts gives singers genuine harmonic work to carry while keeping the overall texture light and accessible. You'll find this piece earns its stage time through genuine musicality rather than spectacle.

What to expect

Bright and buoyant, with a gentle lilting quality that suggests holiday celebration rather than reverence. The pairing of melody and playful counterlines creates a conversational warmth that feels both festive and grounded in tradition.

Who it's for

This octavo works well for middle school and high school choirs seeking engaging Christmas repertoire that doesn't demand advanced voice parts. The 2-part voicing makes it accessible for younger ensembles while the tuneful writing and folk idiom appeal to singers of varying experience levels.

How to get the most out of it

  • Lean into the compound meter's natural lilt. This isn't a march; let the pulse breathe with the Irish folk character the meter suggests.
  • Balance the "ding dong" counterline carefully. It should enhance the primary melody, not compete with it. Consider which voice carries the tune in each section and adjust blend accordingly.
  • The optional tambourine part adds authentic rhythmic color if your ensemble has a percussionist available. Download it from alfred.com/choralparts and experiment with placement during rehearsal to see if it serves your interpretation.

How to use it

This piece fits naturally into a Christmas concert opening or as part of a set that mixes sacred and secular holiday music. The processional potential mentioned in the description makes it useful if your concert staging includes movement through the auditorium or sanctuary.

Skills your students will build

  • Reading and maintaining compound meter (characteristic of folk idioms)
  • Singing independent melodic lines in 2-part texture
  • Balancing melody and countermelody in ensemble contexts
  • Performing with a recorded accompaniment (if using the optional recording)

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