Heal - Mvt. 2 from Suite for the Heroes Among Us: Bassoon
Mvt. 2 from Suite for the Heroes Among Us
By Robert W. Smith
Grade: 4
Item: 98-PC-RWS2033_B1
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Original Item#: RWS-2033-00
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About the Composer: Robert W. Smith

Robert W. Smith stands among America's most performed composers of band and orchestral music, with over 400 works in print and the vast majority published through Alfred Music. He holds degrees from Troy State University (Alabama) and the University of Miami, and his original compositions have been performed by ensembles worldwide, from North America and Europe to Australia and Asia.
Beyond the concert hall, Smith's music has reached television audiences during major network broadcasts, Olympic ceremonies, and iconic events including the Macy's Thanksgiving Day Parade telecast and Opening Day at Dodger Stadium. As a guest conductor and clinician, he has worked with musicians across the United States, Canada, Japan, Australia, Italy, Austria, and the United Kingdom, bringing his distinctive voice to concert and developing bands alike.
Why we love this
Smith writes with emotional clarity that never tips into sentimentality. The second movement's dedication to medical professionals feels earned rather than imposed, giving your band a piece with genuine community resonance that audiences will recognize as a sincere tribute. At Grade 4, the writing remains accessible while maintaining the gravitas the subject deserves.
What to expect
Heal unfolds with reflective dignity. The opening establishes an atmosphere of quiet resolve before the music gradually deepens, revealing layers of compassion and strength woven through the orchestration. By its close, the band's collective sound becomes a musical embodiment of care and dedication.
Who it's for
Concert bands at the high school and competitive level seeking a meaningful work with programmatic weight and community appeal. This movement works equally well for directors building a concert around themes of service and gratitude or for ensembles looking to add a contemporary piece with genuine artistic substance to their repertoire.
How to get the most out of it
- Balance the inner voices carefully; this movement gains power from harmonic clarity rather than dynamic overwhelm, so ensure the second clarinets, altos, and middle woodwinds are supported but not drowned out.
- Shape the phrasing with longer arcs than you might initially assume. Allow the melodic line to breathe and build naturally rather than punctuating every phrase ending.
- Control the dynamic arc across full sections instead of playing directly to written markings. The emotional weight comes from gradual intensification and careful release.
- Bring uniformity to the low brass and reed balance in the foundational passages; when these voices sit solidly together, the entire band's sound feels grounded and intentional.
How to use it
Program this as a concert centerpiece, particularly for events tied to community service, healthcare awareness, or memorial observances. Its emotional trajectory also pairs effectively with other Smith works or as a standalone statement between lighter concert fare and more demanding technical pieces, allowing the audience a moment of reflection mid-program.
Skills your students will build
- Sustaining long-lined melodic phrases with consistent tone quality
- Balancing multiple harmonic layers while maintaining textural clarity
- Responding to subtle dynamic shaping and rubato within a concert band context
- Collaborating across sections to achieve unified emotional expression