He Shall Come Again In Glory (arr. Thomas Grassi): SATB Choral Octavo

Reverent and grounded, with the assurance that comes from straightforward harmonic movement and clear text delivery. The piece carries the weight of its theological content without demanding virtuosity, creating space for genuine singing rather than technical struggle.

SATB choirs performing at an intermediate to advanced-intermediate level who need a well-crafted setting of this Nicene Creed text for Sunday service or concert programming. Singers benefit from the octavo format's clarity while directors appreciate the arrangement's liturgical authenticity.

• Balance the text clarity across all four parts by having singers mark where they carry the melodic line versus where they provide harmonic support; this prevents the piece from muddying when all four voices sing with equal weight.
• Establish a confident, steady tempo before rehearsing; this text benefits from forward motion that feels assured rather than tentative or rushed.
• Pay attention to vertical alignment at cadences, where SATB writing often reveals tuning challenges. Mark these moments in rehearsal and return to them regularly.

Pair this with other Ordinary or propers from your liturgical calendar, or program it as the centerpiece of a concert focused on settings of the Creed. It works particularly well as a closing piece, leaving audiences with clarity of purpose and musical integrity.

• Singing sustained lines with consistent vibrato and tone quality in a four-part texture
• Maintaining intonation across a full SATB chord while tracking individual voice independence
• Connecting liturgical text to musical expression through appropriate phrasing and breath placement
• Reading and performing standard SATB layout with attention to harmonic function