He's Gone Away (Medium High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

He's Gone Away (Medium High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

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He's Gone Away (Medium High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

He's Gone Away (Medium High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

14 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

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Item: 00-A-00015908

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015908

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse earned his B.S. in Music Education and M.Ed. in Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both publishing and composition; he spent eight years as a rights and licenses administrator for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America.

As a composer, Althouse has published more than 800 choral works performed across the English-speaking world. He is an ASCAP member and regular recipient of the ASCAP Special Award. Beyond composition, he has compiled and arranged influential vocal solo collections, co-written children's musicals with his wife Sally K. Albrecht, and authored educational resources including The Complete Choral Warm-up Book, Accent on Composers, and classroom materials on music literacy and composer study. He serves on the National Advisory Board of the Folk Art Society of America and resides in Wake Forest, North Carolina.

Why we love this

Althouse brings the sensitivity of a choral composer to solo vocal literature, understanding exactly how to shape a folk melody so it breathes naturally in a singer's voice. This arrangement honors the song's roots while providing clear musical structure that gives singers something genuine to interpret rather than just pitch and rhythm to execute.

What to expect

A song rooted in the earth and human experience, yet arranged with musical sophistication that reveals new details with each hearing. There's a quality of acceptance and finality to it, the kind of quiet strength that folksongs possess when they've been sung across generations.

Who it's for

Singers preparing repertoire for recitals, competitions, or auditions who want literature that feels both authentic and musically crafted. This medium-high voice edition works for sopranos and tenors seeking substantial solo material that sits comfortably in their range while offering real interpretive depth.

How to get the most out of it

  • Honor the folksong's storytelling quality by listening to how the melody naturally shapes around the lyrical phrases; let the text guide your musical choices rather than imposing external phrasing.
  • Study the SoundTrax accompaniment to understand where the piano moves independently from your line, which helps you maintain musical independence while staying anchored to the harmonic foundation.
  • Build dynamic shape across the entire piece rather than treating each verse identically; folk songs often deepen emotionally as they progress, and your interpretation should reflect that arc.
  • Balance the intimacy of folk music with the clarity needed for recital and festival performance; familiarity shouldn't become casualness.

How to use it

Pair this with other arranged folk songs to create a thematic recital section that explores how traditional melodies speak through contemporary musical language. It also serves as an accessible yet substantive choice for festival competitions where singers need material that demonstrates both vocal control and genuine musicianship.

Skills your students will build

  • Sustaining long phrases with proper breath management
  • Interpreting text through vocal color and dynamic shape
  • Maintaining steady pitch while responding to pianistic accompaniment patterns
  • Understanding how folk melody structures differ from art song or theatrical writing

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