Harold Ross's arrangement transforms this contemporary sacred work into something singers genuinely enjoy performing. The harmonic language feels fresh without demanding extensive rehearsal time, and the text setting allows for natural phrasing that engages both ensemble and audience.
What to expect
Direct and affirming without sentimentality. The arrangement moves with purpose, building conviction through solid four-part writing that feels both reverent and alive.
Who it's for
Choirs seeking contemporary sacred repertoire that's both accessible and musically rewarding. This works equally well in church settings, concert programs, and community choral festivals.
How to get the most out of it
Balance the inner voices carefully in the harmonic passages; these lines carry the emotional weight and shouldn't disappear beneath the sopranos.
Find the natural breath points within longer phrases rather than observing every rest mark literally; this keeps the momentum flowing and the text audible.
Let the dynamics serve the theology of the text. Resist the urge to flatten dynamic changes; they shape how the affirmation 'He is wonderful' lands each time.
How to use it
Pair this with other contemporary settings to anchor a concert section focused on modern sacred expression. It also stands alone beautifully as a closing piece for a concert or service where the text can land as a genuine statement of faith rather than mere entertainment.
Skills your students will build
Clear articulation of text-driven phrasing in a homophonic texture
Balancing inner harmony lines with soprano lines
Singing with conviction while maintaining ensemble blend
Navigating contemporary harmonic language
You May Also Like
Scan to Complete Your Purchase
Use your phone's camera to scan the code below
You'll log in on your phone and the order will be added to your account
