He Is Our God Sheet Music Preview

He Is Our God: SATB Choral Octavo

By Vicki Tucker Courtney

Item: 35-DS00249170

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00249170

More about this title

About the Composer: Vicki Tucker Courtney

Vicki Tucker Courtney

Vicki Tucker Courtney started her musical education on piano at age four and developed deep choral expertise during her time at North Texas State University, where she accompanied numerous ensembles. Her prolific output spans composition and arrangement across multiple genres including choral works, piano, handbells, and solo voice, with recognition through multiple ASCAP Plus Awards and mentorship from Dove Award winner Mark Hayes.

Courteneys' publishing milestone of over 350 titles reflects her sustained commitment to writing accessible, performable music for church and concert settings. She maintains an active studio teaching piano and composition to students across all levels while continuing to compose full time from her home in Columbia, Tennessee.

Why we love this

Courtney writes with clarity and purpose, creating music that feels both reverent and immediately singable. The work balances emotional substance with practical voicing that doesn't require elaborate vocal gymnastics, leaving breath and space for singers to communicate the text.

What to expect

The music radiates confidence and affirmation. Courtney's harmonic language feels grounded and contemporary without becoming trendy, creating an atmosphere of sincerity that allows the sacred text to resonate authentically with both singers and listeners.

Who it's for

This octavo serves choirs of intermediate ability seeking repertoire for worship services, concert programs, or seasonal celebrations with sacred themes. It works well for church musicians looking to add contemporary sacred literature that remains accessible without sacrificing musical substance.

How to get the most out of it

  • Establish a steady harmonic foundation from the accompaniment early in rehearsals so singers hear how their lines interact with and support the overall progression.
  • Give attention to text underlay and word stress, particularly at cadential moments where the meaning needs to land clearly.
  • Allow the music to breathe at natural resting points rather than pushing through; Courtney's phrasing often benefits from singers having room to reset their support.

How to use it

Pair this with other contemporary sacred works to demonstrate the range of modern choral writing available for worship contexts. It also serves effectively as a concert closer when you need something that sends the audience out with a sense of strength and assurance.

Skills your students will build

  • Blending of SATB lines in contemporary harmonic contexts
  • Text communication and meaningful phrasing across four-part writing
  • Secure intonation in non-traditional chord structures
  • Coordination between voice parts and piano accompaniment

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