Haybaler Hoedown: String Orchestra Conductor Score & Parts
By Lloyd Conley
Grade: 1-1.5
Item: 35-PK00194378
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Haybaler Hoedown - Full Score | $6.00 | |
| Haybaler Hoedown - Violin 1 | $7.00 | |
| Haybaler Hoedown - Violin 2 | $7.00 | |
| Haybaler Hoedown - Violin 3 (Viola Treble Clef) | $7.00 | |
| Haybaler Hoedown - Viola | $7.00 | |
| Haybaler Hoedown - Cello | $7.00 | |
| Haybaler Hoedown - Bass | $7.00 | |
| Haybaler Hoedown - Piano | $7.00 | |
| Haybaler Hoedown - Percussion | $7.00 |
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About the Composer: Lloyd Conley
Lloyd Conley has built a reputation as a composer who understands what beginning musicians need: material that's genuinely fun to play while still teaching fundamental skills. His arrangements respect the folk idioms he draws from, refusing to oversimplify them into blandness.
Conley's work appears regularly in school music programs across the country, where his knack for balancing accessibility with musical substance has made him a trusted voice in music education publishing.
Why we love this
Conley packs real fiddle energy into an arrangement that doesn't punish your beginning strings. The medley format lets you build momentum across multiple folk favorites without awkward seams, and the 1:55 runtime fits perfectly into concert programs without taking up disproportionate rehearsal time relative to its teaching value.
What to expect
Like a barn dance full of fiddle tunes, all rollicking energy and good humor. The American folk roots come through in each melody, and the arrangement captures that casual, infectious joy of music played for pure pleasure rather than pretense.
Who it's for
String orchestras starting their first or second year of study. This works equally well for a school concert or a community youth orchestra looking for repertoire that feels celebratory without demanding orchestral maturity from every section.
How to get the most out of it
- Establish the fiddle groove early in rehearsal by having students listen to the recorded accompaniment several times before playing along. They need to internalize the rhythmic pocket, not just read the notes.
- Balance your section sound by checking that the melody line (likely violin I) sits slightly forward of the harmony, but the violas and cellos should still sing; this isn't a piano-keyboard arrangement underneath solo violins.
- Keep the tempo infectious without rushing. Beginning orchestras often drag hoedown tempos, so set a click early and maintain it consistently through transitions between tunes.
- Mark the dynamic shifts between sections in pencil during sectionals. The folk material will feel more authentic when contrasts between verses and refrains are clear.
How to use it
Pair this with one serious or classical piece to show range, or program it as a closer to send the audience out smiling. It's sturdy enough to anchor a spring pops concert and playful enough to work on a family-friendly holiday program.
Skills your students will build
- Sustaining a steady tempo while playing rhythmic figures that pull against the beat
- Reading multiple folk melodies and recognizing how themes repeat and shift
- Balancing harmonic support behind a melodic line
- Interpreting style cues specific to American fiddle music
- Listening and responding to ensemble texture in real time