Hawaiian Getaway - Piano Suite: Piano
By Randall Hartsell
Level: Intermediate
Item: 00-PB-0000675
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About the Composer: Randall Hartsell

Randall Hartsell composes with a gift for melody that resonates across age levels and experience. Growing up in North Carolina without a piano at home, he logged daily practice hours at his aunt and uncle's house starting at age 12, a discipline that shaped his musical foundation. After his parents finally purchased a piano, he began composing in high school, drawing inspiration from the literature he encountered in English class and accompanying his high school choir.
Hartsell studied music in college but didn't formally study composition until his senior year at East Carolina University. He returned to composing after settling into a teaching position in a small town, and in the early 1980s, a conversation with publisher Lynn Freeman Olson sparked his professional publishing career. His debut collection, Something Special, arrived with Alfred in 1990 and launched a catalog now exceeding 60 published works. He currently teaches, adjudicates, and serves as an accompanist and church organist in Charlotte, North Carolina.
Why we love this
Hartsell captures vivid imagery without resorting to program notes that do all the interpretive work for you. Students immediately grasp the connection between the titles and what they're playing, which builds ownership of the musical narrative. The contemporary harmonies elevate the piece beyond landscape painting, challenging fingers and ears alike without abandoning accessibility.
What to expect
A musical postcard that avoids cliché. You move from the fluidity of waterfalls through volcanic intensity, then climb toward majestic vistas before settling into the gentle pull of ocean tides. The contemporary harmonies ground these scenes in the present moment, never letting them drift into pure sentimentality.
Who it's for
Intermediate pianists working toward recital performance or festival competition. This suite is equally at home in a student recital or as a Federation Festivals selection, offering four distinct character pieces that challenge harmonic understanding without extreme technical demands.
How to get the most out of it
- Let the contrasts between movements breathe. Each movement stakes out its own harmonic and textural territory, so resist the urge to rush transitions. A pause between them sharpens the effect.
- Balance descriptive language with structural clarity. The volcanoes and moonlit tides are real, but your job is to shape the phrases with intent so the imagery emerges naturally from the music itself.
- Explore the contemporary harmonies as a feature, not an obstacle. These aren't impressionistic blurs; they're precise color choices. Isolate passages that rely on unexpected chord progressions and practice them until they feel inevitable.
- Record yourself playing through the full suite. Four movements create a complete arc, and hearing them back-to-back reveals which moments need more shaping and where energy flags.
How to use it
Program this as a complete unit on a recital, where the four movements create natural momentum and variety. Alternatively, individual movements work as intermission pieces or as shorter selections for festival competition when full suites feel too ambitious. The Federation Festivals selections (2020-2024 and 2024-2028) make it a smart choice for students preparing for official adjudication.
Skills your students will build
- Reading and executing contemporary harmonic language (extended tertian chords, modal mixture)
- Shaping longer forms through narrative and imagery without losing structural awareness
- Pedal control in varying textures (sustained washes, rhythmic figures, rapid figuration)
- Voice leading across middle register and upper staff independence
- Tempo flexibility and rubato within a contemporary context