Hawaii Five-O Theme: Jazz Ensemble Conductor Score & Parts
By Mort Stevens / As performed by The Ventures / Arranged by John Berry
Grade: 1-2
Item: 35-PK00187821
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Hawaii Five-O Theme - Full Score | $7.50 | |
| Hawaii Five-O Theme - Alto Sax 1 | $6.00 | |
| Hawaii Five-O Theme - Alto Sax 2 | $6.00 | |
| Hawaii Five-O Theme - Tenor Sax 1 | $6.00 | |
| Hawaii Five-O Theme - Tenor Sax 2 | $6.00 | |
| Hawaii Five-O Theme - Baritone Sax | $6.00 | |
| Hawaii Five-O Theme - Trumpet 1 | $6.00 | |
| Hawaii Five-O Theme - Trumpet 2 | $6.00 | |
| Hawaii Five-O Theme - Trumpet 3 | $6.00 | |
| Hawaii Five-O Theme - Trombone 1 | $6.00 | |
| Hawaii Five-O Theme - Trombone 2 | $6.00 | |
| Hawaii Five-O Theme - Trombone 3 | $6.00 | |
| Hawaii Five-O Theme - Guitar | $6.00 | |
| Hawaii Five-O Theme - Piano | $6.00 | |
| Hawaii Five-O Theme - Bass | $6.00 | |
| Hawaii Five-O Theme - Drums | $6.00 | |
| Hawaii Five-O Theme - Aux Percussion | $6.00 | |
| Hawaii Five-O Theme - Flute | $6.00 | |
| Hawaii Five-O Theme - Bb Clarinet 1 | $6.00 | |
| Hawaii Five-O Theme - Bb Clarinet 2 | $6.00 | |
| Hawaii Five-O Theme - F Horn | $6.00 | |
| Hawaii Five-O Theme - Tuba | $6.00 |
Parts Added to Cart!
Description
Hawaii Five-O Theme: Jazz Ensemble Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Mort Stevens
Mort Stevens composed music for television and film throughout the 1960s and 1970s, establishing himself as a reliable craftsman of memorable themes that defined an era of American entertainment. His work on Hawaii Five-O became iconic, crafted to be immediately recognizable while remaining sophisticated enough to engage serious listeners. Stevens understood how to write melodies that stick in the mind without sacrificing musical integrity.
Why we love this
John Berry's arrangement captures the essence of that infectious theme while keeping the technical demands genuinely accessible for young ensembles. The instrumentation sits comfortably in the ranges specified, and the absence of featured solos means your ensemble can focus on precision and blend rather than individual showcasing. You'll have something performance-ready in minimal rehearsal time, yet it still commands attention in a concert program.
What to expect
Cool and confident, with that unmistakable 1960s television groove. The arrangement swings naturally, carrying the energy of the original theme while maintaining a relaxed, professional sound that makes young players feel like they're part of something larger.
Who it's for
Directors working with beginning jazz ensembles who need repertoire that feels contemporary and engaging without overwhelming young musicians. This works equally well for mixed-ability groups where you want everyone contributing meaningfully.
How to get the most out of it
- Emphasize the swagger of the opening melody by keeping it articulate and clean; let the rhythm section lock in behind it rather than pushing the tempo forward.
- Balance the brass carefully when the theme passes between sections. This arrangement thrives on clarity, so avoid letting any section overwhelm the line.
- Treat the accompaniment figures as integral to the character, not background filler. Young players often rush when playing sustained chords; keep the rhythm section grounded and steady.
How to use it
Schedule this as a second-half opener to shift the energy and remind your audience why they enjoy live jazz. It also pairs well alongside other pop or film-related repertoire, or use it as a palate cleanser between more demanding concert works.
Skills your students will build
- Jazz articulation and phrasing in an ensemble context
- Listening to and locking with a rhythm section
- Balancing chordal accompaniment with melodic lines
- Reading lead sheets and jazz notation conventions