Hawaii Five-O Theme Sheet Music Preview

Hawaii Five-O Theme: 3-Part Mixed Choral Octavo

By Mort Stevens / Arranged by Roger Emerson

Item: 35-DS00232822

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00232822

More about this title

About the Composer: Mort Stevens

Mort Stevens composed and conducted music for television and film throughout the 1960s and 1970s, earning recognition for his work on major network series. His compositional gift lay in creating instantly memorable themes that served their dramatic purpose while remaining musically sophisticated. Stevens understood how to write melodies that stayed with audiences long after the credits rolled, a skill that made his television work enduring.

Why we love this

Roger Emerson has captured everything that makes this theme irresistible: the driving rhythmic energy, the iconic melodic hook, and the accessibility that lets three-part mixed choirs shine without oversimplifying the arrangement. Audiences recognize this tune instantly, which means your choir gets genuine applause the moment the first phrase hits. It's a crowd-pleaser with real musical substance.

What to expect

Sleek, propulsive, and undeniably cool. The arrangement captures the dramatic intrigue of its source while keeping the rhythm section driving forward with steady groove. There's a confidence in this piece that makes singers feel like professionals the moment they nail the arrangement.

Who it's for

This arrangement works for high school and adult choirs seeking repertoire that engages audiences while remaining technically manageable. Directors programming a pops concert, variety show, or movie night will find this theme delivers immediate recognition and audience energy.

How to get the most out of it

  • Lock the rhythmic precision from the first rehearsal. The syncopation and rhythmic drive are what make this theme propulsive, so nailing the pulse early prevents dragging later.
  • Balance the melody across your top line; this theme demands clarity and projection without belting. Your sopranos need to sit confidently above the harmony underneath.
  • Let the accompaniment track help establish groove and style. The original recording has a specific rhythmic swagger that the recorded backing provides as a reference point.
  • Shape the phrase contours with intention. Even a familiar melody benefits from thoughtful rubato at peaks and a controlled release at phrase endings.

How to use it

Drop this into a film and television medley, or let it open an informal concert and set an energetic tone for the rest of your program. The piece also works as an encore when you need something that leaves the audience smiling and talking.

Skills your students will build

  • Syncopated rhythm reading and rhythmic independence
  • Melodic projection and line management in three-part texture
  • Stylistic interpretation of pop and television music
  • Ensemble balance with recorded accompaniment

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