Hawai'i Calls (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

Hawai'i Calls (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by Harry Owens / Arranged by Jim Beloff

Item: 35-DS01530479

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01530479

More about this title

About the Artist: Harry Owens

Harry Owens composed 'Hawai'i Calls' in 1937, a piece that became synonymous with the sound of Hawaiian music in the mid-twentieth century. His work captured the relaxed, warmth-infused character that defined the era's popular conception of the islands, and the song remains a standard in Hawaiian repertoire.

Owens' compositions helped establish Hawaii as a musical destination in the American imagination. His melodic writing emphasizes accessibility and emotional directness, qualities that have made his songs endure in both popular and educational settings.

Why we love this

Jim Beloff's arrangement distills 'Hawai'i Calls' into its essential melodic and harmonic content, making it genuinely approachable for ukulele students without sacrificing the song's distinctive character. The single-page format removes the intimidation factor while preserving exactly what makes this tune memorable: a graceful, singable melody paired with the warm, open-string sonorities that define the ukulele's voice.

What to expect

Warm, nostalgic, and gently swaying. The melody has the quality of a gentle ocean breeze, unhurried and naturally contoured. There's a lightness to the harmonic language that feels open and inviting, evoking the ease and beauty the song's title promises.

Who it's for

Ukulele students who have moved beyond the most basic open-string songs and are ready to engage with melody and chord shapes that require some left-hand facility. This works equally well for casual players wanting a recognizable tune in their repertoire and for ensemble contexts where a ukulele soloist needs reliable, publishable notation.

How to get the most out of it

  • Let the melody breathe by shaping phrases around the natural cadence points rather than rushing through to the next chord change.
  • Work the strumming pattern gradually, establishing the rhythmic foundation before layering in dynamics or variation.
  • Think of the harmonic movement as support for the melody line; the chords should be solid but unobtrusive.
  • If performing this with others, resist the urge to add embellishment that might obscure the tune itself.

How to use it

Pair this with other Hawaiian standards in a ukulele-focused concert segment, or use it as an accessible bridge between beginner repertoire and slightly more sophisticated pieces. It also works as a solo feature for ukulele within a broader ensemble concert, offering listeners a palate-cleansing moment of genuine melodic beauty.

Skills your students will build

  • Phrasing longer melodic lines across chord changes
  • Executing smooth chord transitions with minimal hand position shifting
  • Matching fingering patterns to song shape rather than mechanical repetition
  • Reading single-staff ukulele notation with standard chord symbols

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