Haven't Met You Yet: (wp) 3rd B-flat Trombone T.C.

Jerry Brubaker's orchestration captures the warmth and sophistication of the original recording while respecting the strengths of the concert band palette. The arrangement balances accessibility at Grade 3 with genuinely musical brass writing that keeps the piece engaging for both players and listeners, making it a rare pop arrangement that doesn't feel compromised.

Warm, romantic, and uplifting. The tune has a breezy optimism tempered by lush harmonic support, creating a musical mood that's both reflective and bright. It evokes the easy confidence of a classic pop ballad without the schmaltz.

Concert bands looking for a contemporary pop standard that sounds sophisticated without demanding virtuosity. This works equally well for bands seeking to engage younger audiences or for directors who want their students experiencing well-crafted modern arranging at an achievable level.

• Shape the main melody with subtle dynamic swells rather than dramatic peaks. The beauty of this tune lies in its conversational quality; let each phrase breathe naturally.
• Balance the brass chorale sections so no single voice overwhelms. Brubaker's scoring calls for blend more than power, even in the fuller moments.
• Pay attention to the rhythmic precision in the rhythm section and low reeds. The groove depends on their clarity without being mechanical.
• Give yourself space to shape the rubato in the ballad passages. This isn't march tempo; tempo flexibility here feels earned and musical.

Program this as a concert opener or as a bridge between classical and contemporary sets to demonstrate the band's stylistic range. It also serves as an excellent vehicle for a featured soloist (trumpet, saxophone, or trombone) if you want to build a program around jazz-influenced pop repertoire.

• Voicing balance in sustained chords across mixed brass and woodwind sections
• Jazz articulation and phrasing in a pop context
• Dynamic control and legit shaping in melodic lines
• Reading and executing rhythmic figures common to contemporary pop-jazz arrangements