Haven't Met You Yet (arr. Jo Annemans): SMATBarB Choral Octavo

Jo Annemans's arrangement captures the charm and optimism of this Bublé signature without requiring soloists to carry the whole piece. The SMATBarB voicing creates natural harmonic layers that let ensemble singers contribute meaningfully while maintaining the song's inherent warmth and buoyancy.

Optimistic and modern, with an easy charm that audiences recognize instantly. The arrangement sparkles with harmonic interest beneath an approachable melody, creating a performance that feels both contemporary and timeless.

Choirs seeking accessible pop and jazz repertoire that sounds sophisticated without requiring extensive swing experience. The octavo format and SMATBarB voicing work well for mixed ensembles of intermediate ability who want to expand beyond traditional choral material.

• Balance the lead voice against the harmonic backdrop; the melody should float above rather than compete with the accompanying parts. This requires careful dynamic shaping across the entire ensemble.
• Lean into the jazz phrasing with strategic rubato and swing eighth notes. These stylistic choices separate a polished performance from one that feels stiff or overly classical.
• Work the lyrics for genuine expression. The text centers on anticipation and connection, so encourage singers to find moments of intimacy even within a full ensemble sound.

This works as a concert closer or spring/pops program anchor when you want something contemporary with genuine musical substance. It also pairs naturally with other Bublé arrangements or jazz standards if you're building a thematic set around swing repertoire.

• Swing articulation and phrasing in a pop idiom
• Harmonic awareness and blend in jazz voicings
• Leading a melody while maintaining ensemble cohesion
• Stylistic flexibility across classical and contemporary contexts