Haven't Met You Yet (arr. Frank de Vreeze): SAB Choral Octavo

Frank de Vreeze's arrangement captures the charm and optimism of this modern standard while keeping the vocal writing accessible for three-part mixed choirs. The voicing gives singers enough independence to feel the jazz sensibility without requiring advanced jazz technique, and the piece works equally well as a concert closer or a lighter moment in a mixed program.

Optimistic and conversational, with the ease of someone discovering love when they weren't looking for it. The arrangement maintains the original's sense of genuine joy and anticipation while giving singers room to make the melody their own.

Intermediate to advanced choirs seeking contemporary material that appeals to audiences without demanding specialized jazz training. This works for high school choirs, church ensembles, and community groups comfortable with pop idiom in a concert setting.

• Shape the melody with conversational phrasing rather than formal line singing; allow the text to drive where the breath falls and where the musical line rests.
• Balance the SAB voices so the accompaniment stays light underneath the solo line. This arrangement thrives when the harmonic support feels more like conversation than a full choir sound.
• Explore the rhythmic swing feel by listening closely to how the recorded version handles articulation and note placement; even SAB voicing can swing when singers stay connected to the groove.

Position this as a program highlight that shifts the mood toward something contemporary and engaging; it pairs well after a set of traditional choral standards to show your singers' versatility. The piece also works beautifully as a second-half opener, resetting audience energy with something familiar and singable.

• Jazz phrasing and conversational vocal delivery
• Rhythmic precision in swing feel
• Balancing melody and harmonic support in three-part voicing
• Stylistic independence while maintaining choral blend