Haven't Met You Yet (arr. Frank de Vreeze): SSAATB Choral Octavo

Frank de Vreeze's arrangement captures the infectious optimism and rhythmic bounce of Bublé's original while opening it up for choir voices in a way that feels natural rather than retrofitted. The SSA/SSAA voicing keeps the piece accessible to many ensembles while the jazz harmonies and contemporary pop sensibility give singers something genuinely fun to sink their teeth into. Your audience will recognize this immediately, and your singers will love the approachability combined with real harmonic interest.

This arrangement radiates warmth and optimism without ever becoming saccharine. The jazz harmonies and syncopated rhythms create a sophisticated groove that feels both accessible and slightly sophisticated, like you're in on something good.

Choirs seeking contemporary pop arrangements with genuine musicality will find this invaluable. It works equally well for secondary choirs building confidence, adult ensembles exploring outside the traditional classical canon, or advanced groups wanting an engaging audience favorite.

• Keep the swing feel light and conversational; this tune lives in the space between laid-back and energized, so resist the urge to over-conduct or stiffen the rhythm.
• Balance the lead line carefully across soprano voices so the melody stays present without drowning out the harmonic support underneath.
• Pay attention to the recorded accompaniment's rhythmic pocket; syncing with it will help your ensemble lock in the groove rather than fight against it.
• Shape phrases through vowel consistency and legit dynamics rather than relying on exaggeration; Bublé's style is cool and controlled, and your singers should reflect that.

Program this as a lighter moment in a concert built around jazz standards or contemporary music, or use it to open a second half and reset the audience's energy. It pairs beautifully alongside other pop-influenced sacred or secular arrangements, and it works particularly well in spring concerts where the text's hopeful message lands naturally.

• Swing rhythm and syncopation in popular music contexts
• Singing jazz harmonies and extended chord qualities
• Blend and balance in harmonic arrangements
• Phrasing and shaping in a rhythmic, groove-oriented style
• Tracking independent vocal lines in SSA/SSAA voicings