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Haven't Met You Yet: SA (Opt. Bass/Alto) Choral Octavo

$3.99 USD
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Haven't Met You Yet Cover Image

Haven't Met You Yet: SA (Opt. Bass/Alto) Choral Octavo

By Michael Bublé / arr. Ben Parry

Item: 12-0571534902

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Description
Choir Rocks! offers flexible arrangements of contemporary pop hits, providing a valuable resource for upper voice ensembles, school groups and adult choirs. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto.

The straightforward yet imaginative piano accompaniments have been carefully arranged to satisfy the needs of the amateur pianist. You may also want to use guitar, bass and drums to create a truly electric performance, and chord symbols are included to facilitate this.

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Additional Details
Series: Faber Edition: Choir Rocks
Publisher: Faber Music
ISBN10: 0-571-53490-2
ISBN13: 978-0-571-53490-6
UPC: 9780571534906
SKU: 12-0571534902
Instrumentation: with Piano

More about this title

About the Artist: Michael Bublé

Michael Bublé is a Canadian singer and musician known for his sophisticated interpretations of jazz standards and contemporary pop ballads. His rich baritone voice and charming stage presence have made him one of the most commercially successful artists of the 21st century, with particular appeal to audiences seeking accessible, emotionally resonant pop music.

Why we love this

Ben Perry's arrangement captures the warmth and infectious optimism of this contemporary hit while keeping the vocal writing genuinely singable for treble voices. The optional bass/alto part gives you real flexibility for mixed ensembles without forcing anyone into an uncomfortable range, and the included chord symbols mean your guitarist doesn't need a separate lead sheet.

What to expect

Buoyant and romantic, with the easy charm of someone who's genuinely delighted to meet someone special. The arrangement preserves the original's conversational warmth; it never tries to be clever or overcomplicated, letting the melody and the emotional directness of the lyric do the heavy lifting.

Who it's for

Upper elementary through adult choirs looking for contemporary material that feels fresh without being inaccessible. Small school groups, community choirs, and youth ensembles will all find the straightforward two-part writing (with optional third part) manageable while the pop idiom keeps singers engaged.

How to get the most out of it

  • Balance the melody prominently in the sopranos while letting the altos provide harmonic anchor; this arrangement shines when the two parts are equally confident rather than soprano-heavy.
  • If adding rhythm section (guitar, bass, drums), use the chord symbols as your starting point but let the piano accompaniment guide you through any sections where the harmony gets interesting.
  • Keep the tempo conversational and relaxed; this song thrives on a natural, almost spoken-word quality in the verses before opening up in the chorus.

How to use it

This works beautifully as a contemporary pop feature for a spring or winter concert, especially if you're pairing it with jazz standards or other accessible pop material. It's also an effective engagement piece for community or fundraising events where audiences appreciate recognizable, feel-good music.

Skills your students will build

  • Singing in two-part harmony with optional divisi
  • Reading and performing pop/contemporary music idioms
  • Coordinating with piano accompaniment and optional instrumental ensemble
  • Sustaining legit singing technique through contemporary material

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