Have Yourself a Merry Little Christmas Cover Image

Have Yourself a Merry Little Christmas: 2-Part Choral Octavo

$2.25 USD
Sale price  $2.25 USD Regular price 
Skip to product information
Have Yourself a Merry Little Christmas Cover Image

Have Yourself a Merry Little Christmas: 2-Part Choral Octavo

Words and music by Hugh Martin and Ralph Blane / arr. Pete Schmutte

Item: 00-CH9764

Need it now?

Buy Digital Version
$2.25
Shipped

One moment…

Description
What a holiday mood setter! This lovely ballad is heard every season. Now your choir can share the beautiful sentiment expressed by the extraordinary lyrics in a super Schmutte setting. Bring some merriment into the hearts of all your audience members by presenting this one!

Have Yourself a Merry Little Christmas: 2-Part Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 029156603743
SKU: 00-CH9764

More about this title

About the Composer: Hugh Martin

Hugh Martin composed "Have Yourself a Merry Little Christmas" with lyricist Ralph Blane for the 1944 film "Meet Me in St. Louis," creating one of the most enduring holiday standards in American popular music. Martin's gift for melody and emotional directness shaped the Great American Songbook and continues to define how singers approach seasonal repertoire across genres and generations.

Why we love this

This Schmutte arrangement strips away the overwrought holiday arrangements your singers have likely seen before, letting the song's genuine warmth and sophisticated harmonic movement shine through. The 2-part setting accommodates mixed choirs of varying experience while preserving the song's emotional authenticity, making it equally at home in December concerts and spring pops programs.

What to expect

The arrangement respects the song's intrinsic sweetness and nostalgia without relying on saccharine orchestration. Voices move through clear, singable lines that create warmth and depth, evoking the same reflective hopefulness the original film moment captured.

Who it's for

This octavo works well for developing choirs and community ensembles seeking holiday repertoire that requires musicianship without extreme technical demands. It's ideal for directors who want to program a beloved song without resorting to unison arrangements or oversimplified versions.

How to get the most out of it

  • Shape the phrases through legit singing rather than belting; this ballad benefits from restraint and a genuine connection to the lyric's tender sentiment.
  • Balance the two parts so neither dominates, treating them as equal voices in conversation rather than melody and harmony.
  • Use the recorded accompaniment to anchor intonation while rehearsing, especially if your choir is learning to blend in a pop idiom.

How to use it

Position this as an emotional anchor in a holiday concert, perhaps pairing it with livelier seasonal selections to showcase programming range. It also serves as a gentle closer for spring pops concerts or end-of-year performances where sentiment matters as much as showmanship.

Skills your students will build

  • Balancing two independent vocal lines with equal musicianship
  • Sustaining legit singing through a full ballad form
  • Phrasing and text expression in a pop-influenced arrangement
  • Intonation in close harmony with attention to chord quality

You May Also Like