Have Yourself a Merry Little Christmas Cover Image

Have Yourself a Merry Little Christmas: SSAA Choral Octavo

$2.10 USD
Sale price  $2.10 USD Regular price 
Skip to product information
Have Yourself a Merry Little Christmas Cover Image

Have Yourself a Merry Little Christmas: SSAA Choral Octavo

Words and music by Hugh Martin and Ralph Blane / arr. Jacob Narverud

Item: 00-45441

makemusic Cloud badge

Need it now?

Buy Digital Version
$2.10
Shipped

One moment…

Description
Lush SSAA harmonies adorn the melody of this beloved holiday favorite, made popular by Judy Garland in the 1944 movie musical Meet Me in St. Louis. An expansive piano opening leads into the rarely heard introductory lyrics, beautifully realized for women's voices.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Have Yourself a Merry Little Christmas: SSAA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081511818
SKU: 00-45441

More about this title

About the Composer: Hugh Martin

Hugh Martin composed for stage and screen throughout the mid-20th century, with a particular gift for holiday standards that have endured for decades. His work on Meet Me in St. Louis (1944) alongside lyricist Ralph Blane produced several songs that became American classics, including this arrangement's source material.

Why we love this

Narverud's SSAA voicing captures the warmth and sophistication of the original while remaining accessible to women's choirs of varying levels. The inclusion of that rarely-heard introductory verse gives singers and audiences alike a fresh take on a holiday staple, transforming a familiar tune into something that feels newly discovered.

What to expect

Nostalgic and tender, with an almost chamber-like intimacy despite the full SSAA texture. The lush harmonies evoke a quiet moment of reflection amid holiday bustle, anchored by the piano's expansive gestures that frame the vocal writing with elegance.

Who it's for

This arrangement serves women's choirs seeking a sophisticated holiday selection that moves beyond standard arrangements. It works equally well for holiday concerts, winter recitals, or community performances where audiences crave authenticity and vocal beauty.

How to get the most out of it

  • Balance the expansive piano opening so it sets an intimate mood rather than overwhelming the space; the choral entry should feel like a natural continuation of that introductory gesture.
  • Shape the harmonies through gentle dynamic shaping within phrases rather than sudden drops; the lush voicing sustains its own warmth without need for aggressive contrast.
  • Approach the rarely-heard introductory lyrics with clear diction and a conversational tone; these opening measures establish the emotional foundation for what follows.
  • Blend the upper two voice parts carefully during sustained harmony sections; slight separation here muddies the resonance Narverud's voicing creates.

How to use it

Place this alongside other mid-century holiday repertoire for a concert celebrating the golden age of American songwriting. Its sophistication and length make it a natural centerpiece of a holiday program rather than a brief opener or closer.

Skills your students will build

  • Sustaining lush four-part SSAA harmony with blend and balance
  • Singing text from an unfamiliar verse with accurate prosody and expression
  • Responding to piano-driven accompaniment texture and phrasing
  • Managing dynamic control within sustained harmonic passages
  • Interpreting mid-century vocal style with appropriate warmth and legit sound

You May Also Like