Have It All (arr. Roger Emerson): 3-Part Mixed Choral Octavo

Roger Emerson has crafted an arrangement that preserves the song's laid-back charm while giving three-part mixed voicing genuine independence. The 15-page score gives singers enough substance to sink their teeth into without overwhelming them, making it ideal for choirs seeking repertoire that sounds current without sacrificing musicality.

Buoyant and optimistic, with the relaxed groove of a song meant to be sung casually among friends. The three-part writing creates moments of genuine harmonic color while maintaining the straightforward, uplifting spirit of the original.

Intermediate choirs with some reading experience and singers comfortable with contemporary pop idioms. This arrangement works well for groups building confidence with secular repertoire or programming concerts that reach beyond traditional classical audiences.

• Keep the tempo buoyant and maintain the conversational quality of the melody; resist the urge to push the tempo even when energy builds.
• Balance the three parts so no single line overwhelms the whole. The supporting voices should sit comfortably underneath without requiring excessive dynamic control from the singers.
• Work out blend between the mixed voices early. Uneven gender ratios in rehearsal can be managed by doubling weaker sections once everyone is secure on their parts.

Include this in spring or end-of-year concerts where you want to showcase singers' connection to contemporary music, or use it as a standalone piece for community engagement events. Its approachable style makes it an excellent choice for building momentum in a program's second half.

• Sustaining stylistically appropriate dynamics in pop idioms
• Balancing three independent harmonic lines without loss of blend
• Singing with conversational phrasing and natural breath placement
• Reading three-part mixed voicing with clear part definition