Harry Potter and the Deathly Hallows, Part 1 Cover Image

Harry Potter and the Deathly Hallows, Part 1: Piano Book

$14.99 USD
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Harry Potter and the Deathly Hallows, Part 1 Cover Image

Harry Potter and the Deathly Hallows, Part 1: Piano Book

Music by Alexandre Desplat / arr. Tom Gerou

Level: Elementary

Item: 00-37166

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Description
10 selections from Alexandre Desplat's original score arranged in traditional five-finger style, with the melody split between the hands, and without a key signature in the student part. Dotted quarter notes, triplets and sixteenth notes have been avoided. An optional duet accompaniment is provided for a fuller, richer musical experience. Folio includes full-color art from the movie. Titles: Obliviate * Snape To Malfoy Manor * Polyjuice Potion * At The Burrow * Harry And Ginny * Ron Leaves * Godric's Hollow Graveyard * Ron's Speech * Lovegood * Farewell To Dobby.

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Additional Details
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-7773-2
ISBN13: 978-0-7390-7773-3
UPC: 038081412726
SKU: 00-37166

More about this title

About the Composer: Alexandre Desplat

Alexandre Desplat has established himself as one of film's most distinctive composers, with a gift for creating themes that capture character and emotion in precise, memorable ways. His work on the Harry Potter films spans a decade, composing scores that balance whimsy, drama, and darkness while remaining deeply rooted in orchestral tradition.

Why we love this

Tom Gerou's five-finger arrangement strips away the complexity of Desplat's orchestrations while keeping their emotional weight intact. Students encounter melodies they already know and love, which builds confidence and engagement, while the optional duet part allows teachers to create rich, layered sound without demanding advanced technique from the student.

What to expect

These ten selections capture the emotional arc of the film: moments of tenderness and loss (Farewell to Dobby, Harry and Ginny), creeping dread (Snape to Malfoy Manor, Polyjuice Potion), and quiet desperation (Godric's Hollow Graveyard). Even simplified, Desplat's orchestration style remains apparent in the voice-leading and harmonic choices, giving young pianists a genuine sense of playing from a professional film score.

Who it's for

Elementary pianists ready to move beyond single-line melodies into pieces with genuine dramatic substance. Students who already enjoy the films will find immediate motivation, while teachers can use these selections to show that familiar music can be approached at any skill level. This folio works equally well for students exploring repertoire in a private studio or adding accessible cinematic music to a group lesson curriculum.

How to get the most out of it

  • Use the duet accompaniment to fill out the harmonic foundation; the student part gains considerable power when supported by these fuller textures.
  • Lean into the thematic shape of each selection rather than rushing the tempo; Desplat's melodies unfold with intention, and that pacing translates directly to five-finger arrangements.
  • Balance dynamics between hands carefully, especially in pieces where the melody splits between right and left. Neither hand should dominate unless the character of the moment demands it.
  • Let the color art inspire your interpretation; each selection carries distinct mood and scene context that can guide tempo, tone, and expression choices.

How to use it

Consider programming these as a unit recital offering during your spring concert, especially if you have several elementary pianists. The full-color artwork provides visual context between pieces, and the film connection draws family members into the performance. You can also use individual selections as part of a movie soundtrack unit where students explore how composers support storytelling.

Skills your students will build

  • Reading melody shared across both hands
  • Playing without key signature guides
  • Coordinating hands at different rhythmic values
  • Maintaining musical phrasing across hand position shifts
  • Listening for balance and blend when playing with duet accompaniment

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